A Quote by Elena Anaya
In fact, whenever I go and watch a film I don't like to read about them beforehand - I like to go in fresh and get inside the story without knowing what's going to happen.
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Obviously, in football you can study somebody, but at the same time, once you get out there, I think there's just a natural kind of feel for where you think guys might be or where they're going to go and knowing beforehand what's going to happen. It's just like chess.
You never know what's going to happen, so I get up at 6 a.m. every morning. It's a new wakeup call for me, for sure. But you just want to be polished. That way, if anything happens, I'm ready to go. I'm not going to sit in a makeup chair for an hour and be like, "Then I'll go get the story."
It's all about self-discipline. Like, self-obsession is connected completely with self-loathing, and it's the same with, if you've got a weight problem. It's all about... finding some worth in yourself, knowing that you've got the discipline to do it, and knowing that other people maybe can't do it. And it's also, I think, really connected to the fact that you almost feel, like, silent, you have no voice, you're mute, there's just no, you've got no option. Even if you could express yourself nobody would listen anyway. Things that go on inside you, there's no other way to get rid of them.
When I used to get the ball on the wing, I'd go fast and I'd go right. Veterans in this league, they watch film. They're definitely going to strategize. They know you like to go right. They know what your moves are.
When you go into a film, you read it, and something clicks for you, and you like it, and you sign on for it; you go for it. You know that this is going to be a good film, and that is your best hope. Past that, it's a crap shoot - you roll the dice.
You know, in an ideal world, people would just be intrigued and go and see a film without knowing anything about it, because that's where you're going to have the most experience of a film, the biggest, the most revelation of a film. But at the same time, I think there are benefits of having seen a trailer where you actually look forward to seeing moments in a film knowing that they're coming up. I don't know which is better.
The way I go about making a movie... even the ones that are interview-driven, I go into them not knowing what's going to happen, and feeling my way through.
I don't like going to football games. I like watching them on television. When you go to a game, it's hard to focus. There's so much going on, and it's cold. I'd rather sit and watch it and get replays and commentary.
I was spurred by the fact that having worked for women's magazines myself as a journalist, if you go off and interview a female celebrity, I'd just go in and interview them like I'd interview any human being and talk about the things that interested me. And you'd come back, and you'd file your copy. And then my editor would read through my copy and go, why haven't you asked them if they want kids? And I'd be like, well, I don't know, I interviewed Aerosmith last week. And I didn't ask them that.
It's one of the best feelings in the world to hit the quarterback like that, hear the crowd go crazy, and then to watch it on film. You look forward to those types of plays. The best part about it is that you never know when it's going to come. Every play you've got to go hard and every play you've got to think and believe that you're going to get that quarterback sack. If you don't get it that play it might be the next play so you've always got to be thinking about it, and when it comes, it's the best.
With 'Toy Story,' which is a fantastic film but is essentially animation, you get to make all your decisions beforehand. 'Jumanji' is shot much like any other action film.
A good story's like a door, and you can go through it whenever you need to. After you've read it or seen it or heard it, you can still go back through it. Once it's yours, it's always yours.
I don't really control the story. I just let it go where it wants to go. I have no idea what's going to happen in the end or who's going to live, so it's kind of like me saying, "I don't know, guys! Just wait." That's what I'm doing!
On certain days, it can get difficult, because acting is about being naked emotionally. There are days when you are feeling empty, but the scene demands you to go through a cathartic experience. That's why I like to know what my schedule for a particular film is beforehand.
I'm not going to go to the local theater to spend $12... when I can get a screening copy of a film. I don't get screeners myself, but I can borrow from my friends or go to their house to watch.
I don't always, or even usually, read stories from beginning to end. I start anywhere and proceed in either direction. A story is not like a road to follow, it's more like a house. You go inside and stay there for a while.
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