A Quote by Elena Ferrante
There was something unbearable in the things, in the people, in the buildings, in the streets that, only if you reinvented it all, as in a game, became acceptable. The essential, however, was to know how to play, and she and I, only she and I, knew how to do it.
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She was perfect. I knew this the moment she emerged from my body, white and wet and wailing. Beyond the requisite ten fingers and ten toes, the beating heart, the lungs inhaling and exhaling oxygen, my daughter knew how to scream. She knew how to make herself heard. She knew how to reach out and latch on. She knew what she needed to do to survive. I didn’t know how it was possible that such perfection could have developed within a body as flawed as my own, but when I looked into her face, I saw that it clearly was.
Witch Baby wanted to ask Ping how to find her Jah-Love angel. She knew Raphael was not him, even though Raphael had the right eyes and smile and name. She knew how he looked--the angel in her dream--but she didn't know how to find him. Should she roller-skate through the streets in the evenings when the streetlights flicker on? Should she stow away to Jamaica on a cruise ship and search for him in the rain forests and along the beaches? Would he come to her? Was he waiting, dreaming of her in the same way she waited and dreamed?
The mother is the most essential piece on the board, the one you must protect. Only she has the range. Only she can move in multiple directions. Once she's gone, it's a whole different game.
But having more freedom she only became more profoundly aware of the big want. She wanted so many things. She wanted to read great, beautiful books, and be rich with them; she wanted to see beautiful things, and have the joy of them for ever; she wanted to know big, free people; and there remained always the want she could put no name to? It was so difficult. There were so many things, so much to meet and surpass. And one never knew where one was going.
The certainty that she would find what it was she sought just slipped away, until one night she knew there was nothing, no one waiting for her. That no matter how far she walked, how carefully she searched, how much she wanted to find the person she was looking for, she was alone" - The Forgotten Garden
Yet losing him seemed unbearable. He was the one she loved, the one she would always love, and as he leaned in to kiss her, she gave herself over to him. While he held her close, she ran her hands over his shoulders and back, feeling the strength in his arms. She knew he’d wanted more in their relationship than she’d been willing to offer, but here and now, she suddenly knew she had no other choice. There was only this moment, and it was theirs.
Cassandra's grandmother smiled then, only it wasn't a happy smile. Cassandra thought she knew how it felt to smile like that. She often did so herself when her mother promised her something she really wanted but knew might not happen.
And she looked at me like she couldn't believe I knew she loved Anne Rice. I guess he didn't know how much she talked or how much I listened.
I never saw my mother happy with me and proud of me for doing something: She only knew me as being a wild kid running the streets, coming home with new clothes that she knew I didn't pay for. I never got a chance to talk to her or know about her. Professionally, it has no effect, but it's crushing emotionally and personally.
On the other hand, there are only so many people who really knew how she was exactly, like what did her accent sound like, and the fact that she developed profound deafness when she was first running the Harriet Lane.
I was surprised when I was asked to play Miss Daisy and wondered if I could - only in part because she was Jewish but, also because she was a Southern woman who has hardly opened her mouth before she declares she's not prejudiced, and yet everything she does shows how totally prejudiced she is.
She liked to imagine that when she passed, the world looked after her, but she also knew how anonymous she was. Except when she was at work, no one knew where she was at any time of day and no one waited for her. It was immaculate anonymity.
Teresa Lewis, the only woman on death row in Virginia, says she doesn't deserve the death penalty because she only hired the killers of her husband and stepson, she didn't actually pull the trigger herself. You know, she has a point. I think we should let her be able to hire the person who executes her, and not do yourself in! How's that, doll? Yeah! Get it over with quick, maybe Charlize Theron will sign up to play you.
When I lost my wife I had a whole different concept of her life. She lived 21 years and people who knew her know it wasn't about the great things she did on this earth. It wasn't that she had money or had popularity, it was that she loved Jesus Christ more than anything else in this world. That was how she related to the world.
I think if somebody knows how to play the game, he or she can play anywhere. You know how to fit in.
I have a cousin, a second cousin, who lives in L.A., and she was with me while I was getting ready. She was talking about her father and his brothers. And I remember my mother's tales of how competitive they were with each other and how they would play for blood, you know. And I thought - I'm an only child, and I don't know what that's like. I have to figure out the Southern thing.
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