A Quote by Eleonora Duse
I did not use paint, I made myself up morally.
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Do you see these hands?" Jo said, holding them up. "These were made for caressing handsome men and meant to be adorned with pretty nails and diamond rings. They're not made for paint rollers and paint splatter and that kind of manual labor.
When I turned 50, I threw myself a big birthday party, and I looked seriously at what my life has been about. I recommend this to everybody. Ask yourself, "What have I done? How did I do it? Where'd I mess up? Where did I do well?" When I did this assessment of my life, I said to myself, "It was really good." I made a lot of people laugh, made a lot of people cry in a good way, brought a lot of joy to people, picked up a lot of garbage. And in all those years, I saw a lot. I went to foreign lands. I met interesting people. And I got it!
The imagination is a palette of bright colors. You can use it to touch up memories — or you can use it to paint dreams.
With regards to the paint, I'm normally quite introverted and shy. I keep myself to myself, and I find that when I hide behind the paint, so to speak, I'm able to let myself go more and move more freely than I can without it.
We made bad use of immortality, and so ended up dying; Christ made good use of mortality, so that we might end up living.
Learning to love others begins with learning to love ourselves unconditionally first. I will never let myself down, treat myself like a doormat, or make myself small so others can feel big. I have learned that this is the biggest gift that I give not only to myself, but also to the planet, because I paint others with the same brush as I use on myself.
I use all sorts of things to work with: old brooms, old sweaters, and all kinds of peculiar tools and materials... I paint to excite myself, and make something for myself.
I counterfeited Mark Kostabi's artworks. During the eighties, Mark didn't paint his own paintings. Instead, he had other artists painting them, and he just added his signature. So what I did was to use some of the same painters, and signed his name myself.
It is something to be able to paint a particular picture, or to carve a statue, and so to make a few objects beautiful; but it is far more glorious to carve and paint the very atmosphere and medium through which we look, which morally we can do. To affect the quality of the day, that is the highest of arts.
I consider myself neither legally nor morally bound to obey the laws made by a body in which I have no representation.
I think we're in an age where artists really have an incredible range of materials at their command now. They can use almost anything from household items - Jackson Pollock used house paint - to, you know, advanced computer systems, to good old oil paint and acrylic paint.
We must abandon the unworkable notion that it is morally reprehensible for some countries to pursue weapons of mass destruction, yet morally acceptable for others to rely on them for security - and indeed to continue to refine their capacities and postulate plans for their use
We must abandon the unworkable notion that it is morally reprehensible for some countries to pursue weapons of mass destruction, yet morally acceptable for others to rely on them for security - and indeed to continue to refine their capacities and postulate plans for their use.
My work is not about paint. It's about paint at the service of something else. It is not about gooey, chest-beating, macho '50s abstraction that allows paint to sit up on the surface as subject matter about paint.
It seems to me morally a decent society will try to take some of the increased benefit and use that to alleviate the pain of the few who are bearing the cost that made it possible.
Painting allows me to use other portions of my brain pleasurably. Irony plays no part in what or how I paint. I paint the particular subject matter not to make polemical points but because I am interested in the human imprint on the landscape. I paint the landscape of my time and place with the stuff in it.
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