A Quote by Elfriede Jelinek
I cannot stand public attention, I just can't. Of course, if I may I might write something instead
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I cannot stand public attention, I just can't. Of course, if I may I might write something instead.
We cannot stand alone. With 80 million people in this world of today, you cannot, when you just stand on your own, achieve much even though you may be economically strong.
I think for any actor to say they don't like attention is ridiculous. Of course we love attention. But getting attention is different than pretending the attention means something.
Sometimes as human beings, we're so contradictory - we may say something or do something and completely contradict ourselves. That's what I'm learning to embrace in television - not knowing what's going to happen. I might make a specific choice for myself and then in the next episode the writers might write something that contradicts it.
I write to please myself—of course, that is a given. But beyond this reach for pleasure, I know that I write for my countrymen, that they may be lifted from apathy and ignorance. I write because of a compulsion to make something out of the nothing that is my own life.
Don't blend in; instead, clash with your environment. Stand out. Be different. That's what will draw attention to your ideas. Nothing has intrinsic attention-grabbing power by itself. The power lies in how much something stands out from its context.
This is why I loved the support groups so much, if people thought you were dying, they gave you their full attention. If this might be the last time they saw you, they really saw you. Everything else about their checkbook balance and radio songs and messy hair went out the window. You had their full attention. People listened instead of just waiting for their turn to speak. And when they spoke, they weren't just telling you a story. When the two of you talked, you were building something, and afterward you were both different than before.
When you write something new about science, other scientists may not like it but they pay attention because it is subject to proof. When you write something new about art, it is subject only to the reader's discomfort, and will probably be rejected.
Truly brave people accept that they may not see victory in their own lifetime. You just keep at it for the sake of those who come after you. You might not win but you stand a better chance by doing something.
Unexplained pain may sometimes direct our attention to something unacknowledged, something we are afraid to know or feel. Then it holds us to our integrity, claiming the attention we withhold. The thing which calls our attention may be a repressed experience or some unexpressed and important part of who we are. Whatever we have denied may stop us and dam the creative flow of our lives. Avoiding pain, we may linger in the vicinity of our wounds, sometime for many years, gathering the courage to experience them.
To write weekly, to write daily, to write shortly, to write for busy people catching trains in the morning or for tired people coming home in the evening, is a heartbreaking task for men who know good writing from bad. They do it, but instinctively draw out of harm's way anything precious that might be damaged by contact with the public, or anything sharp that might irritate its skin.
If you want to write, then write; if you don't want to write, then don't write. I fell into the former category, and I just made the decision that I'd keep on because I liked it and might someday do something decent.
You can clear the land, plow the field, spread the fertilizer, and plant the corn. But you cannot make it rain. You cannot prevent an early frost. You cannot determine exactly what will happen in your life. The rain may or may not fall, but one thing is certain: you will get a harvest only if you planted something in the field. It's important to do everything in our power to ensure our success, but we also need to let the universe take its course.
People might ask me, What do you propose instead? I propose nothing. I am a mere novelist, I just write about the world as I see it. It is not my job to transform it. I cannot transform it all by myself, and I wouldn't even know how to. I limit myself to saying what I believe the world to be.
You see people on TV flying in to places just to pick up a baby, or brush some flies away. That's great if they can bring that issue to public attention. But that's not what I wanted to do. I was interested in committing to something that I could function in whether I was Debra Winger or not. Because nobody might care about that next week.
I won't complain about touring, because I really do believe that a public-figure musician complaining about being a public-figure musician is just absurd. Like, 'Boo hoo hoo! I have to stand on stage and people pay attention to me!'
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