A Quote by Elfriede Jelinek
I do not want to have the feeling of writing 'for eternity', so to speak.
Related Quotes
I do not want to have the feeling of writing "for eternity," so to speak.
Internet is exemplary for me. I do not want to have the feeling of writing 'for eternity,' so to speak. The fleetingness of the Internet has therefore become very attractive to me.
Do not oppose because in opposing the tenderness of the feeling level is crushed. That is why we say Speak the Truth but see that you are speaking delicately. Do not speak non-truth and do not speak in a non sweet way, so that the feeling is nourished.
When I started writing short stories, I thought I was writing a novel. I had like 60 or 70 pages. And what I realized was that I don't write inner monologue. I don't want to talk about what somebody is thinking or feeling. I wanted to try to show it in an interesting way. And so what I realized was that I was really writing a screenplay.
I believe that filmmakers have to internalize the story and subtext so well that all of the departments can start to speak to each other - that music can speak to cinematography can speak to writing and back again.
I've found a bit of success in my career, and I'm very relieved by it, but the success that comes after a book is published is never as happy as the feeling of writing, of knowing you've written something good, of feeling like you've had a worthwhile day in the chair. That's the best feeling I know, and as soon as writing stops making me feel that way, I'll stop doing it.
Eternity isn't some later time. Eternity isn't a long time. Eternity has nothing to do with time. Eternity is that dimension of here and now which thinking and time cuts out. This is it. And if you don't get it here, you won't get it anywhere. And the experience of eternity right here and now is the function of life.
We're always thinking of eternity as an idea that cannot be understood, something immense. But why must it be? What if, instead of all this, you suddenly find just a little room there, something like a village bath-house, grimy, and spiders in every corner, and that's all eternity is. Sometimes, you know, I can't help feeling that that's what it is.
What a wretched thing is all fame! A renown of the highest sort endures, say, for two thousand years. And then? Why, then, a fathomless eternity swallows it. Work for eternity; not the meagre rhetorical eternity of the periodical critics, but for the real eternity wherein dwelleth the Divine.
When people speak to me of the torment of writing, I can think only of what it was like before I wrote: once writing meant writing and not thinking about writing, I knew nothing of any torment.
To speak technically photography is the art of writing with light. But if I want to think about it more philosophically , I can say that photography is the art of writing with time.
What is eternity? You're on the checkout line at a supermarket. There are seven people in front of you. They are all old. They all have two carts and coupons for every item. They are all paying by check. None of them have ID. It's the checkout girl's first day on the job. She doesn't speak any English. Take away fifteen minutes from that, and you begin to get an idea of what eternity is.
In terms of style, I think the memoirist should have a novelist's skill and all the elements of a novelist's toolbox. When I read a memoir, I want to really, deeply experience what the author experienced. I want to see the characters and hear the way they speak and understand how they think. And so in that way, writing a memoir feels similar to writing a novel.
I spent my entire youth writing slowly with revisions and endless rehashing speculation and deleting and got so I was writing one sentence a day and the sentence had no FEELING. Goddamn it, FEELING is what I like in art, not CRAFTINESS and the hiding of feelings.
There is no end and there is no beginning. There is only eternity. Eternity can be warm. eternity can be cold and ruthless.
I don't want to speak too disparagingly of my generation (actually I do, we had a chance to change the world and opted for the Home Shopping Network instead), but there was a view among the student writers I knew at that time that good writing came spontaneously, in an uprush of feeling that had to be caught at once; when you were building that all-important stairway to heaven, you couldn't just stand around with your hammer in your hand.
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