A Quote by Elfriede Jelinek
It's interesting that the treatment of historical events by art precedes the civilisation of people through democracy.
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This is an important point about symbols: they do not refer to historical events; they refer through historical events to spiritual or psychological principles and powers that are of yesterday, today, and tomorrow, and that are everywhere.
History is opaque. You see what comes out, not the script that produces events, [...] The generator of historical events is different from the events themselves, much as the minds of the gods cannot be read just by witnessing their deeds.
Historical fiction is not history. You're blending real events and actual historical personages with characters of your own creation.
The alienation effect in German epic theater is achieved not only through the actors, but also through music (chorus and song) andsets (transparencies, film strips, etc.). Its main purpose is to place the staged events in their historical context.
Art may not have the power to change the course of history, but it can provide a perspective on historical events that needs to be heard, even if it's seldom heeded. After all the temporary influences that once directed the course of history have vanished, great art survives and continues to speak to each generation.
We have gotten away from this double aspect of either putting the character back into historical events or of making a historical event of his very life.
The voice of our age seems by no means favorable to art, at all events to that kind of art to which my inquiry is directed. The course of events has given a direction to the genius of the time that threatens to remove it continually further from the ideal of art. For art has to leave reality, it has to raise itself bodily above necessity and neediness; for art is the daughter of freedom, and it requires its prescriptions and rules to be furnished by the necessity of spirits and not by that of matter.
There are dozens of writings outside of the Bible that verify the historical accuracy of many of the names of people, places, and events mentioned in the Bible. In fact, external sources verify that at least eighty persons mentioned in the Bible were actual historical figures. Fifty people from the Old Testament, and thirty people from the New Testament.
Our use of the phrase 'The Dark Ages' to cover the period from 600 to 1000 marks our undue concentration on Western Europe. [...] From India to Spain, the brilliant civilisation of Islam flourished. What was lost to Christendom at this time was not lost to civilisation, but quite the contrary. [...] To us it seems that West-European civilisation is civilisation, but this is a narrow view.
I believe that historians and analysts of historical events need the authority of facts supplied by living witnesses to the events, which they make their subject.
I can go to parties all the time and not see people I want to work with, but then sometimes I do, and the way I try to describe it is that I like to refer to art history a lot in my paintings, and there are some people who just have a face that feels like art historical. Like they could be in a Tiepolo painting as a person riding through the sky in a chariot, or she could be in a fashion magazine.
The mood and temper of the public in regard to the treatment of crime and criminals is one of the most unfailing tests of the civilisation of any country.
A living art of teaching, one that rests on a true understanding of the human being, has a thread of strength running through it that stimulates individual students to participate so that it is not necessary to keep their attention through direct 'individualized' treatment.
Democracy has always been in crisis: democracy is all about practicing the art of bearable dissatisfaction. In democratic societies, people often complain about their leaders and their institutions. The gap between the ideal democracy and the existing one cannot be bridged.
When people in a democracy are not educated in the art of living -- to strengthen their conscience, compassion, and ability to question and think critically -- they can be easily manipulated by fear and propaganda. A democracy is only as wise as its citizens, and a democracy of ignorant citizens can be as dangerous as a dictatorship.
Andy Warhol's art wasn't that interesting to me. He was more interesting to me as a person. He was art himself. I don't even think he was really into art, per se. He may have liked to do it, but I think he was more into people being into him.
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