A Quote by Eli Broad
What artists think about the world is often different from how we businessmen see it, and I find that an enriching experience.
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I love knowing and learning about people around the world displaying my art online. Also, it's how I learn about new artists that are in various parts of the world. The positive thing about Tumblr and Instagram is that they're a fantastic platform for art lovers. I also like, when I search for my art and it says, "see also or related artists," and I see those other artists that relate to me, at least according to the internet. I think it's fascinating - it's interesting to see hashtags people are using in relation to my work. It's another tool of communication.
Artists are often excellent businessmen. They have to be. Otherwise they do not remain artists.
Don’t let yourself be. Find something new to try, something to change. Count how often it succeeds and how often it doesn’t. Write about it. Ask a patient or a colleague what they think about it. See if you can keep the conversation going.
I think younger artists are often "students" of the rock press. They have their favorite rock star interviews and know how they're supposed to act. But I find that time helps a lot. If you have enough time you can sort of break that down just by being a normal person. And then they realize the interview isn't just a performance, and they can actually speak to you. I often try to get people into a space where they're not over-thinking what they're talking about and instead they're speaking emotionally, from within their experience.
My actual experience is not different. It is my evaluation and attitude that differ. I see the same world as you do, but not the same way. There is nothing mysterious about it. Everybody sees the world through the idea he has of himself. As you think yourself to be, so you think the world to be. If you imagine yourself as separate from the world, the world will appear as separate from you and you will experience desire and fear. I do not see the world as separate from me and so there is nothing for me to desire, or fear.
The artist is the lowest form of life on the rung of the ladder. The publishers are usually businessmen who deal with businessmen. They deal with promotional people. They deal with financial people. They deal with accountants. They deal with people who work on higher levels. They deal with tax people, but have absolutely no interest in artists, in individual artists, especially very young artists.
In our culture, imitation-based experience dominates reality-based experience. I find this an awful thing. But there are artists who know from the bottom of their souls that art is about the experience of reality. The reason we have art is because you can’t get a real experience from the world.
I think that watching artists, soulful artists, they get into it. It's always the way I perform, so when I'm on stage I just try to get into it - I'm in my own world. That's the whole thing about the stage, it's like a sacred place. They're [the audience] watching into the different world, right, so it's like you see performers and they're in the same room, so it's a different vibe. Sometimes it's great, but I try to separate it, you know, I wanna separate it 'cos otherwise I feel naked. It just feels natural.
I want to work in different genres with varied teams across different industries and to get as much of an enriching experience as I can. That is my wish.
An artists job is to see. And to go out in the world and see it firsthand, just as it is; to report with line and words what is seen. To be in the world, not just study about the world, that is the artists task
I wish reporters were more in tune to the difference between the Asian experience and the Asian-American experience. I think often they lump the two together and think that when I talk about Asian-American narratives that they can cite 'Crouching Tiger, Hidden Dragon' or 'Mulan' as proof of concept when it's a different experience.
Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
People think in narrow, constrained, constipated ways about the world. They can't imagine that the world could be different. Not like the dreamers who actually see a different world, a better world.
From my experience, I can affirm that I don't really know how the women see the world like, but it seems to be quite different from how men do.
As a religious priest I find it a very enriching experience to do my scientific research.
I enjoy thinking about how paintings can change depending on where they are - how they look in a gallery or in relation to other paintings, or in different rooms. Paintings can change the way we experience and see the world.
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