A Quote by Eli Drake

Comedy and silliness has a place in wrestling, but there's still gotta be some level of believability. — © Eli Drake
Comedy and silliness has a place in wrestling, but there's still gotta be some level of believability.
The baby boomers' politics have covered a wide band of silliness, from the Weather Underground to the Timothy McVeigh types. The great majority of us are well in the middle of that spectrum, but still, there's been both leftie silliness and right-wing silliness.
A lot of people think that comedy is sort of a cop out to not wrestling seriously, but I actually would argue that comedy is much more difficult than wrestling seriously because you have to be creative in almost everything that you do if you want the comedy to make sense within the realms of pro wrestling.
She'd always believed that people come in two varieties: those who look out the windshield and those who stare in the rearview mirror. She'd always been the windshield type: gotta focus on the future, not the past, because that's the only part that's still up for grabs. Mom throws me out? Gotta get some food and find a place to live. Husband dies? Gotta keep working, or I'll end up going crazy. Got some guy stalking me? Gotta figure out a way to stop it.
Believability and respect are two of the main ingredients in professional wrestling that are sorely missing today.
In a great horror movie, you've gotta have some character development and you've gotta set some of your people up and you've gotta have a little back story going. You've gotta take that time for exposition.
Our house was a place where you were welcome to make an idiot out of yourself. Silliness was valued. My dad worked with foster kids in the foster care system, and I think silliness was a way for him to leaven things up.
Wrestling can be anything... There's some forms of wrestling that I'm not too big a fan of, but I'm not going to say it's not wrestling because it is wrestling.
The best actors, I think, have a childlike quality. They have a sort of an ability to lose themselves. There's still some silliness.
I would love to do some more comedy. I would love to do some silliness. I would love to do some characters that have greater vulnerability.
I'm very aware that pro wrestling fans can be some of the most vocal and passionate and descriptive about how they feel when it comes to pro wrestling. So I'm totally fine with how fans talk about how they feel, cause if they're not allowed to voice how they feel, then what's the point of being a wrestling fan. You gotta know what you like and what you do't like and that's fine.
It's something that people relate to - and I hope my kid doesn't relate to - but there's a level of believability in playing complex characters. You know, Christopher Walken has done some hilarious comedies, De Niro. There's great room for complexity and darkness to do well in comedies.
With 'J', at a deep base level, there is still some comedy, but that masculinist voice that had driven so many of my novels I suddenly did not want to occupy. I wasn't reneging on it; I just didn't want to do it.
Men like us who live on the edge and had this player life - and for even some that still do - we gotta respect women - we gotta understand that their position here is much bigger than what we might give them.
Comedy is still alive, and there are still funny people. Jews are still overrepresented in comedy and psychiatry and underrepresented in the priesthood. That immigrant Jewish humor is still with us.
I love doing comedy. But sometimes, that exists at sort of the mid-level to the high-comedy level of craziness, and I don't necessarily get to plumb the depths of kind of serious acting as often.
All of comedy at some level is trial-and-error, whether it's a stand-up trying out jokes or a comedy show trying stories.
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