A Quote by Eli Drake
I don't even like wrestling really small guys a lot of the time. It just feels phony.
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In the future, I'd like to break more into acting and stuff. I think that pro wrestling is a great springboard, really. You see a lot of guys coming from that world. In a lot of ways, it's like live theater. Guys going out there and performing and having to act on the fly and be their own stuntmen at the same time.
Mostly the guys I worked with like wrestling AJ Styles, Jamie Noble, wrestling Chavo Guerrero, wrestling Rey Mysterio... As much as I try to be an individual or unique I can't deny the strong effect these guys have all had on me.
If I were to tell you that my day was all pure wrestling, I wouldn't be honest with you. Because there were crooked promoters. There were a lot of guys that knew that they couldn't even compete with other guys. But to suggest that every match was like that wouldn't be true.
I don't like my wrestling or entertainment in general to be too clean or predictable for me as a fan. When I say clean, I'm not talking about dirty jokes, middle fingers and stuff like that. I'm actually not even a big fan of that. A lot of people talk about the attitude era being so great but a lot of it was terrible crap, sex jokes and over-the-top terrible bad comedy. It was Jerry Springer-like. They made a joke about a woman's breasts. Hilarious, but where's the wrestling? I look back on a lot of stuff now, and I'm like where's the wrestling? It's just a lot of crappy jokes.
The ROH guys looking at the New Japan guys coming over, we're just psyched. We think, "oh great this is just going to make our show even better." The respect level with New Japan and ROH is at an all-time high. And anytime we get a company like New Japan Pro Wrestling on a ROH show, it just benefits our show. It has everybody all jacked up, ready to do the best we can like we always do.
When something feels really big, too big to handle, just go very small. Just go real small, just look at the person next to you and look in their eyes and meet the person next to you, find out their name, change one person's life and make one call, write one letter, give one dollar. Whatever small thing feels like what you can do - it changes the course of the ship and that is all it is.
I think a good quarterback or a good linebacker, a good safety, even though you have a lot of bodies moving out there, it slows down for them and they can really see it. Then there are other guys that it's a lot of guys moving and they don't see anything. It's like being at a busy intersection, just cars going everywhere. The guys that can really sort it out, they see the game at a slower pace and can really sort out and decipher all that movement, which is hard. But experience certainly helps that, yes.
Sports bars are also a great place for guys to meet other guys--either for sex or for wrestling, whichever feels more right.
As a kid I decided that a Canadian accent doesn't sound tough. I thought guys should sound like Marlon Brando. So now I have a phony accent that I can't shake, so it's not phony anymore.
It's really important that young women be reminded that their involvement matters and that their voice is heard. Even if it feels like it's small, it really can make an impact.
To me, it feels like every time I'm watching some trans story, it's about their grief around their gender. And there's not really a lot of opportunity for them to explore stories outside of that. It's just really frustrating. It's really one dimensional.
I just like country because a lot of those guys are from towns that I'm maybe from, for one. But also, I like how humble they are, and they're genuine people, I think. I'm not saying that rappers or rock and roll, those people, aren't. But I just feel like I get along with those guys because they're from small town.
So I don't think one type of wrestling is right and one type of wrestling is wrong, and I've used that ability to unlearn what I've done and really go back and get back in touch with that Dragon Gate style since now there's a lot of guys that can work with that.
I was never really, truly learning anything at Jackson-Wink. I was just training with a bunch of a group of guys to where it was like a wrestling practice.
The moment you sense someone is making something because they think people are gonna buy it or like it, it's just so phony! The public has a nose for phony like nobody else.
Even when I'm reading a script where I'm supposed to be looking at the lead role, I'll find myself gravitating toward some small weirdo in a few scenes instead. I'm very instinctive like that and I love the challenge of not having a lot of time to create someone who feels real.
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