A Quote by Eli Pariser
A world constructed from the familiar is the world in which there's nothing to learn.
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Commonsense lets us down, because commonsense evolved in a world where nothing moves very fast, and nothing is very small or very large; the mundane world of the familiar.
There are in me the seeds from which, if necessary, the universe could be constructed. In me somewhere there is a matrix for mankind and a holograph for the whole world. Nothing is more important in my life than trying to discover these secrets.
Quite generally, the familiar, just because it is familiar, is not cognitively understood. The commonest way in which we deceive either ourselves or others about understanding is by assuming something as familiar, and accepting it on that account; with all its pros and cons, such knowing never gets anywhere, and it knows not why.... The analysis of an idea, as it used to be carried out, was, in fact, nothing else than ridding it of the form in which it had become familiar.
I never changed after that. I sought for nothing in the one great source of change which is humanity. And even in my love and absorption with the beauty of the world, I sought to learn nothing that could be given back to humanity. I drank of the beauty of the world as a vampire drinks. I was satisfied. I was filled to the brim. But I was dead. And I was changeless.
The question of whether world peace will ever be possible can only be answered by someone familiar with world history. To be familiar with world history means, however, to know human beings as they have been and always will be. There is a vast difference, which most people will never comprehend, between viewing future history as it will be and viewing it as one might like it to be. Peace is a desire, war is a fact; and history has never paid heed to human desires and ideals.
I think the relationship between social-dominance orientation in people and the extent to which they're made uncomfortable by ambiguity and novelty is really important. Better a stable world that's familiar, in which I'm doing pretty poorly, than dealing with all the ambiguity of a changing world.
Never give up! Keep practicing - it's the only way to get better. But don't lose sight of the outside world. As an artist, you have to connect with the world around you, or you've got nothing to inspire you. Learn from everything and everyone, good or bad. It's just as important to learn what not to do, as well as what to do, in art, in life.
We choose our next world through what we learn in this one. Learn nothing, and the next world is the same as this one, all the same limitations and lead weights to overcome.
There has never in the history of the civilized world been a cohort of kids that is so little affected by adult guidance and so attuned to a peer world. We have removed grown-up wisdom and allowed them to drift into a self-constructed, highly relativistic world of friendship and peers.
Learning something means coming into contact with a world of which you know nothing. In order to learn, you must be humble.
When The Fall pummeled their way into my nervous system, circa 1983, it was as if a world that was familiar - and which I had thought too familiar, too quotidian to feature in rock - had returned, expressionistically transfigured, permanently altered.
It was really John's [Musker] idea to begin with to tell a story set in the world of the South Pacific, Polynesia. He started, he just loved the world and he started reading a lot of mythology, which most people are not that familiar with.
In the world it is called Tolerance, but in hell it is called Despair...the sin that believes in nothing, cares for nothing, seeks to know nothing, interferes with nothing, enjoys nothing, hates nothing, finds purpose in nothing, lives for nothing, and remains alive because there is nothing for which it will die.
You are not in the world...the world is in you," what did he mean? [That is, you are not in the world," that is, there is no "you" that is real or in any world. "The world is in you" means that the world is in your "mind" and is nothing more than a figment of your programming-and-conditioning-induced imaginings.]
The little world of childhood with its familiar surroundings is a model of the greater world. The more intensively the family has stamped its character upon the child, the more it will tend to feel and see its earlier miniature world again in the bigger world of adult life. Naturally this is not a conscious, intellectual process.
Nothing can be more certain than this: that we are just beginning to learn something of the wonders of the world on which we live and move and have our being.
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