A Quote by Eli Siegel
Originality in art puts charm where it wasn't.
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I don't believe too much in originality... you learn art from other art and then looking into somebody's face or landscape is the point of departure to do your work of art.
James Corden is a rare entertainment force who combines irresistible charm, warmth, and originality with a diverse range of creative instincts and performance talent.
Originality is another criterion of aesthetic value. We may formulate an originality principle, according to which highly valuable works of art provide hitherto unavailable insights.... Notice that, although originality is a necessary condition of high aesthetic value, it is far from a sufficient condition. Many original works have little or no aesthetic value. An artwork may present a novel but uninteresting perspective, or one that is original but wrong.
Cerebration is the enemy of originality in art.
Charm" — which means the power to effect work without employing brute force — is indispensable to women. Charm is a woman's strength just as strength is a man's charm.
'Charm' - which means the power to effect work without employing brute force - is indispensable to women. Charm is a woman's strength just as strength is a man's charm.
Originality is the art of concealing your sources.
Originality is the art of concealing your source.
Originality is the fine art of remembering what you hear but forgetting where you heard it.
The prerequisite of originality is the art of forgetting, at the proper moment, what we know.
Beware originality. In women fashion originality can lead to carnival.
Originality is not seen in single words or even in sentences. Originality is the sum total of a man's thinking or his writing.
It's a sort of bloom on a woman. If you have it, you don't need to have anything else, and if you don't have it, it doesn't much matter what else you have. Some women, the few, have charm for all; and most have charm for one. But some have charm for none.
The proponents of Steinitz' theory - Tarrasch and his supporters - tried to express Steinitz' teaching in the form of laconic rules, and as often happens in such cases, they went too far. The laconic tended to become dogmatic, and chess began to lose its freshness, originality and charm.
Stage charm guarantees in advance an actor's hold on the audience, it helps him to carry over to large numbers of people his creative purposes. It enhances his roles and his art. Yet it is of utmost importance that he use this precious gift with prudence, wisdom, and modesty. It is a great shame when he does not realize this and goes on to exploit, to play on his ability to charm.
Knowing how to paint and to use one's colors rightly has not any connection with originality. This originality consists in properly expressing your own impressions.
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