A Quote by Elia Suleiman
People in power tend to find poetry dangerous to them because it is dislocating, they can't catch it, can't control it. They prefer coherence, what's blunt and has clarity.
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You'll find i-poetry, you'll find that you can download poetry, that you can stuff your i-pod with recorded poetry. So just to answer the question that way, I think that poetry is gonna catch up with that technology quite soon.
Clarity, clarity, surely clarity is the most beautiful thing in the world, A limited, limiting clarity I have not and never did have any motive of poetry But to achieve clarity.
The men's game probably has a little more power to it, so the rallies aren't quite as long. Some people prefer that power and other people prefer the somewhat-longer rallies that tend to happen in women's volleyball.
Teddy grinned again. 'Truths are dangerous,' he said. -'Then why are you writing them in a book?' -'To catch them between the pages,' said Teddy, 'and trap them before they disappear.' -'If they're dangerous, why not let them disappear?' -'Because when truths disappear, they leave behind blank spaces, and that is also dangerous.
That's what Judith Herman is saying, and she's absolutely right. Power then breeds an intensification of all because the power can never be absolute power - to some extent it's stymied - but the isolation while in power becomes even more dangerous. Think of it as a vicious circle. The power intensifies these tendencies and the tendencies become more dangerous because of the power.
It is always dangerous to the liberties of the people to have an army stationed among them, over which they have no control ... The Militia is composed of free Citizens. There is therefore no danger of their making use of their Power to the destruction of their own Rights, or suffering others to invade them.
Reporters tend to find in others what they are suited to find, so there is a whole school of reporting where they are cynical about the world, and everything reinforces that. Whereas I tend to be optimistic and be amused by people and like them, even rather bad people.
The mistakes (of leaders) are amplified by the numbers who follow them without question. Charismatic leaders tend to build up followings, power structures and these power structures tend to be taken over by people who are corruptible. I don't think that the old saw about 'power corrupts and absolute power corrupts absolutely' is accurate: I think power attracts the corruptible.
What poetry does above all else is develop sensibility. And that's what makes poetry so dangerous. That's why poetry is so good at undermining governments and so bad at building them. There's nothing harder to organize than a group of poets.
The problem with airports is that we go there when we need to catch a plane - and because it's so difficult to find the way to the gate, we tend not to look around at our surroundings.
People think of poetry as a school subject... Poetry is very frustrating to students because they don't have a taste for ambiguity, for one thing. That gives them a poetry hangover.
For anyone with the traits - of feeling himself victimized, of seeking to be the strongman who resolves everything, yet sees truth only through his own self and negates all other truth outside of it - is bound to become more malignant when he has power. Power then breeds an intensification of all this because the power can never be absolute power - to some extent it's stymied - but the isolation while in power becomes even more dangerous. Think of it as a vicious circle. The power intensifies these tendencies and the tendencies become more dangerous because of the power.
People tend to judge presidents on how the economy performs, and yet we don't expect them to have the power to do much about it. Or we don't want them to exercise that power, if they were to have it.
People tend to think that hate is the most dangerous emotion. But love is equally dangerous,” Will said. “There are many stories of spirits haunting the places and people who meant the most to them. In fact, there are more of those than there are revenge stories.
Whenever poetry and politics are mentioned in the same breath, we tend to miss the point entirely - as I often have - and we ask ourselves whether poetry and politics even belong together, because they're often so poorly married that we think of them as oil and water.
Poetry can be dangerous, especially beautiful poetry, because it gives the illusion of having had the experience without actually going through it.
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