A Quote by Elia Suleiman
If a person just takes what is socio-political and geographical from the themes of my films then that's not enough. But if the person goes out of the theatre and, for example, makes the dinner he's eating later on, extra nice then I feel that I have succeeded. We have this urge to anaesthetize the moment we're living in.
Related Quotes
I like the person who commits and goes all in and takes big swings and then maybe fails or looks stupid; who jumps and falls down, rather than the person who points at the person who fell, and laughs.
I need to say how I feel.aIf you were a political person before, and you just happened into a movie, to stop being a political person makes no sense. I always laugh and say, 'Dudes, if I have to choose, I'm a political person first. I would never do another movie again and be completely happy.' I need to say how I feel.
People in the business always say, "You look fabulous." You get that all the time and it kind of goes in one ear and out the other because most of the time they just say that to make you feel good. It's nice when you hear it from an ordinary person and then I appreciate it.
A lot of life is about how you feel relating to dealing with this person or that person. If this person makes you feel good, then they're a person to be around; if they don't, they're not. Being in a band is different. The group is the more important part, and you have to kind of shift the way you look at life when you're in a group of people that you work with.
As much as I would love to be a person that goes to parties and has a couple of drinks and has a nice time, that doesn't work for me. I'd just rather sit at home and read, or go out to dinner with someone, or talk to someone I love, or talk to somebody that makes me laugh.
As much as I would love to be a person that goes to parties and has a couple of drinks and has a nice time - that doesn't work for me. I do that very unsuccessfully. I'd just rather sit at home and read, or go out to dinner with someone, or talk to someone I love, or talk to somebody that makes me laugh.
I think any break-up from a long relationship has this accompanying feeling of who am I without this person. You feel like a half-person because you've integrated yourself into an idea of a couple for so long, and then teasing that out and finding out who you are without them, it just takes a while. It feels like an amputation.
Have you ever had a moment where you finish a piece, and then all of a sudden the piece sort of takes on it's own life beyond you? It doesn't happen every time, but there are some pieces where that happens, and I love that. I feel like that's what I'm seeking nowadays, that moment of transcendence with a piece. Where this thing becomes larger than me as a person. It becomes otherworldly, and then I get separated as maker from it, and then it has it's own life. I love that.
It's like in politics: You can have great intentions for the world, but if you're not a good speaker and if you're not the sort of person that people can intimately link with, then it makes it very easy to say, "Well, they're not a nice person."
Just the way LA is laid out - 30 miles of disparate neighborhoods - adds to the loneliness of the characters. There's a lot more space to feel isolated in. In Los Angeles, you have to meet the person, then walk out separately to your own cars, and follow the person to their neighborhood, and then pray that street parking isn't going to mess things up.
To some people, not caring is supposed to be cool, commenting is more interesting than doing, and everything is judged and then disposed of in, like, five minutes. I'm not interested in those kinds of people. I like the person who commits and goes all in and takes big swings and then maybe fails or looks stupid; who jumps and falls down, rather than the person who points at the person who fell, and laughs. But I do sometimes laugh when people fall down.
If you introduce person A to person B, and then person B is able to solve a pain point in his life, then you just made a good connection.
Buddha introduced the idea that young people should become sannyasins. Then it is something significant. When a young person goes beyond sex, when a young person goes beyond desires, when a young person goes beyond greed, ambition, the longing to be powerful, the ambition to be famous, then it is something tremendously meaningful, significant.
You're the luckiest person in the entire world if you know what you really want to do, which I was lucky enough to know when I was very young. And you're the luckiest person in the world if you can then make a living out of it.
If you get attached, then it becomes an obsession. If the person is not there, you are unhappy. If you miss the person, you are in misery. And attachment is such a disease that if the person is not there you are in misery, and if the person is there you are indifferent. Then it is okay; it is taken for granted. If the person is there it is okay - no more than that. If the person is not there, then you are in misery. This is attachment.
The casting process for 'Hate Mail' just got so difficult. Once you lock in one person and then you try to find the next person, you lose the first person and then the financing falls away.
Related Authors
Aeschylus Quotes
Greek
Poet
Aesop Quotes
Greek
Author
Aristotle Quotes
Greek
Philosopher
Epictetus Quotes
Greek
Philosopher
Epicurus Quotes
Greek
Philosopher
Euripides Quotes
Greek
Poet
Heraclitus Quotes
Greek
Philosopher
Hesiod Quotes
Greek
Poet
Hippocrates Quotes
Greek
Scientist
Homer Quotes
Greek
Poet
Nikos Kazantzakis Quotes
Greek
Writer
Plato Quotes
Greek
Philosopher
Plutarch Quotes
Greek
Philosopher
Pythagoras Quotes
Greek
Mathematician
Socrates Quotes
Greek
Philosopher
Sophocles Quotes
Greek
Poet