A Quote by Elie Wiesel
I believe in the story [ of Adam and Eve]. For me, it's a story.
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Adam and Eve - and especially Eve - are victims of the greatest character assassination the world has ever known. Eve is not secondary. Eve, if anything, is the great initiator in the story. She's the first independent woman. For me, rediscovering that Eve was the greatest bad**s women of all time was a revelation.
We've sort of agreed that the account of Adam and Eve is a story.
...finally men were saved only through God's son dying for them, and that unless human beings believed this silly, impossible and wicked story they were doomed to hell? Can anyone with intelligence really believe that a child born today should be doomed because the snake tempted Eve and Eve tempted Adam? To believe that is not God-worship; it is devil-worship.
[On the Adam and Eve story:] They both fell from innocence, and consequently from happiness, but not from equality.
I am sure that in the story of Adam and Eve, the forbidden fruit was a fig and not an apple, pear or anything else.
It all goes back, of course, to Adam and Eve - a story which shows among other things, that if you make a woman out of a man, you are bound to get into trouble.
She remembered the story from her childhood, about Adam and Eve in the garden, and the talking snake. Even as a little girl she had said - to the consternation of her family - What kind of idiot was Eve, to believe a snake? But now she understood, for she had heard the voice of the snake and had watched as a wise and powerful man had fallen under its spell. Eat the fruit and you can have the desires of your heart. It's not evil, it's noble and good. You'll be praised for it. And it's delicious.
[The story of Adam and Eve] it's poetry. One must interpret it as poetry. The first 11 chapters of Genesis [the Primeval History] are absolutely remarkable.
I would like to go right back in time to when God created man, and the Adam and Eve story, and the Anunnaki and all that, to discover the real truth about our creation.
Without the Christian explanation of original sin, the seemingly silly story of Adam and Eve and the tree of the knowledge of good and evil, there was no explanation of conflict. At all.
The apple . . . came before Adam and Eve in the story of creation. It had to have been there at least three years because that's how long it takes for a new tree to bear fruit.
A great swindle of our time is the assumption that science has made religion obsolete. All science has damaged is the story of Adam and Eve and the story of Jonah and the Whale. Everything else holds up pretty well, particularly lessons about fairness and gentleness. People who find those lessons irrelevant in the twentieth century are simply using science as an excuse for greed and harshness. Science has nothing to do with it, friends.
When I was 11 years old and I was on a road trip with my family. I turned to my dad and said, "Do you believe in Adam and Eve?" And he said he didn't think so. I remember that felt like a slap in the face, because if my parents questioned Adam and Eve, then they potentially questioned everything within Catholicism. Eventually that idea led to my feeling liberated, but at that time it was very scary.
I'm a storyteller. I'm always willing to serve the story, a story I believe in, in whatever way is necessary. If I need to write the story I believe in, I will write it. If I've been offered to act in a story that I truly believe in, I will happily do that, but I'm a storyteller. That's something I'm so thankful for.
Isn't the first story told in the West about the Fall? Adam and Eve were immigrants too from somewhere, a lost Eden, a paradise lost. We all now are so mobile, so nomadic .
After modernism, things changed. Indeed, modernism sometimes seems to me like an equivalent of the Fall. Remember, the first thing Adam and Eve did when they ate the fruit was to discover that they had no clothes on. They were embarrassed. Embarrassment was the first consequence of the Fall. And embarrassment was the first literary consequence of this modernist discovery of the surface. "Am I telling a story? Oh my God, this is terrible. I must stop telling a story and focus on the minute gradations of consciousness as they filter through somebody's.
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