A Quote by Elie Wiesel
If you read Exodus 15 carefully, it describes a storm at sea. This is the old Yahwistic source. In the retelling of the story in the later Priestly source, it is more miraculous: The water stands up on either side like a wall. There are walls of water standing up. As you move back in time, oddly enough, the story becomes more historical.
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Even without the creatures living in it, water is dangerous. We have an ambivalent relationship with water. It's the source of life, it's the source of food, but it's also a source of death, if you're not careful.
The sea is the source of water and the source of wind; for neither would blasts of wind arise in the clouds and blow out from within them, except for the great sea, nor would the streams of rivers nor the rain-water in the sky exist but for the sea ; but the great sea is the begetter of clouds and winds and rivers.
Archetypes resemble the beds of rivers: dried up because the water has deserted them, though it may return at any time. An archetype is something like an old watercourse along which the water of life flowed for a time, digging a deep channel for itself. The longer it flowed the deeper the channel, and the more likely it is that sooner or later the water will return.
This wasn't the sea of the inexorable horizon and smashing waves, not the sea of distance and violence, but the sea of the etenally leveling patience and wetness of water. Whether it comes to you in a storm or in a cup, it owns you--we are more water than dust. It is our origin and our destination.
Love is like water from the ocean." Damiana said. "You cannot empty it dry. Take bucket after bucket of water out of the Cormeon Sea, and there is still more water left than you could ever use up. That's what love's like.
It's hard to tell if anyone's interested in reading a serialized story. But it's interesting to put in a cliffhanger each week. That was popular in old comic strips. They'd write a weekend story different from the daily strip. So people follow one story day to day, and a separate story on weekends. If you read them, you think "I'll read two more." Then you're like "I gotta find out!" And you read 500 more.
Today you have a situation where now the prescription is: People who don?t have enough money to buy food should end up paying for their drinking water. That is going to be the kind of situation in which you will get more child labor. You will get more exploitation of women. You?re going to get an absolutely exploitative economy as the very basis of living becomes a source of capital accumulation and corporate growth. In fact, the chief of Coca-Cola in India said: ?Our biggest market in India comes from the fact that there is no drinking water left. People will have to buy Coca-Cola.
The value of land must, in the future, be assessed on its yield of potable water. Those property-owners with a constant source of pure water already have an economically-valuable "product" from their land, and need look no further for a source of income.
It was like letting go and falling back into water and seeing yourself grinning up through the water, your face like a mask, and seeing the bubbles coming up as if you were trying to speak from under the water. And how do you know what it's like to try to speak from under water when you're drowned?
If you take a glass of water and separate it from its source - the ocean - then pour the water away from its source and ask it to sustain life, it flitters away. It just evaporates. It can't sustain life. That's a metaphor for us when we separate ourselves from our source and believe that God is separate from us.
Sometimes I think that if it were possible to tell a story often enough to make the hurt ease up, to make the words slide down my arms and away from me like water, I would tell that story a thousand times.
When you're standing in deep water
And you're bailing yourself out with a straw
And when you're drowning in deep water
And you wake up making love to a wall
Well it's these little time that help to remind
It's nothing without love, love, love
My elaboration of the story always conforms to the reality at its source. It is always close to the world, the life, the reality it describes. No matter where I go, I’m still holding up a mirror.
When we read a story, we inhabit it. The covers of the book are like a roof and four walls. What is to happen next will take place within the four walls of the story. And this is possible because the story's voice makes everything its own.
Jesus walking on water is an allegory, not fluid mechanics. God destroying the cities of Sodom and Gomorrah is a warning, not a historical battle. Doubting Thomas is an example, not a person. The story of Noah, with all of its scientific and historical impossibilities, can be read the same way.
Facts are fine, fer as they go ... but they're like water bugs skittering atop the water. Legends, now - they go deep down and bring up the heart of a story.
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