A Quote by Elie Wiesel
The darkness enveloped us. All I could hear was the violin and it was as if Juliek's soul had become the bow. He was playing his life...He played that which he would never play again.
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It was pitch dark. I could hear only the violin, and it was as though Juliek's soul were the bow. He was playing his life. The whole of his life was gliding on the strings--his last hopes, his charred past, his extinguished future. He played as he would never play again...When I awoke, in the daylight, I could see Juliek, opposite me, slumped over, dead. Near him lay his violin, smashed, trampled, a strange overwhelming little corpse.
The only downside to playing the violin is that you never know when you're going to be asked to play. I could be out to dinner or having a drink at a bar, and someone could just give me a violin, and I've got to be ready to play.
There have been men who could play delightful music on one string of the violin, but there never was a man who could produce the harmonies of heaven in his soul by a one-stringed virtue.
He lifted the violin to his shoulder then, and raised the bow. And he played.
It was really amazing. I mean, he'd never mentioned that he played in the symphony, like serious violin playing, not fiddle playing. And he just blew us away.
I think my first impression (of Bix Beiderbecke) was the lasting one. I remember very clearly thinking, 'Where, what planet, did this guy come from? Is he from outer space?' I'd never heard anything like the way he played-not in Chicago, no place. The tone-he had this wonderful, ringing cornet tone. He could have played in a symphony orchestra with that tone. But also the intervals he played, the figures-whatever the hell he did. There was a refinement about his playing. You know, in those days I played a little trumpet, and I could play all the solos from his records, by heart.
For one movie, I'm learning to play a violin, and I had never picked up a violin in my life. That's a big challenge. That's what I see as one of the advantages of this business. You get to do things you'd never do, in a normal lifestyle.
I started playing violin because I was fascinated by how violin players could play so fast. I would buy their cassettes, and learn different concertos, but then I started rounding out my collection. My dad was a big jazz fan, so I just started hearing a lot more soul music. I loved Little Stevie Wonder, and I got really into him as a singer and a writer as I got older.
I was a stray acquaintance whom he had never seem before and would never see again, a wandered for a moment through his monotonous life, and some starved impulse left him to lay bare his soul. I have in this way learned more about men in a night than I could if I had known them for 10 years. If you are interested in human nature, it is one of the greatest pleasures of travel.
I shall never forget Juliek. How could I forget this concert given before an audience of the dead and dying? Even today, when I hear that particular piece by Beethoven, my eyes close and out of the darkness emerges the pale and melancholy face of my Polish comrade bidding farewell to an audience of dying men.
I started playing violin in the 5th grade. They had a program in school where you could get out of class to go play instruments. So I raised my hand, left out of class, me and a bunch of my homeboys, just to get out of class for that day. They asked what instrument you wanted to play and I picked the violin.
When Byron's eyes were shut in death, We bow'd our head and held our breath. He taught us little; but our soul Had felt his like a thunder roll. . . . We watch'd the fount of fiery life Which serv'd for that Titanic life.
I want to be a starter again, I would really enjoy playing for the Phillies again, but my first consideration in making my decision is finding a circumstance that is right for me. I want to play for the Phillies again, but I also wouldn't mind joining a team I've never played with before.
He wanted us to play whatever we played in the most characteristic and appropriate style. Even it was the theme from 'The Godfather,' you needed to play that then the way that a Hollywood producer would expect it to be played. Whether it was that or the posthorn solo from Mahler's Symphony No. 3, he would expect that to be played in the way that Leonard Bernstein wanted to hear it. In retrospect, I think it was a sensational way to teach this particular group of students. By the time you graduated you could absolutely read anything with any trumpet.
President [Ronald] Reagan never has tried to become an expert on military matters. He never has endeavored to learn the most important details in that field, which lead to a situation in which his aides played a much greater roles than aides would have played under President Ford or let us say in the whole Nixon-Ford-Kissinger era.
I often wonder: suppose we could begin life over again, knowing what we were doing? Suppose we could use one life, already ended, as a sort of rough draft for another? I think that every one of us would try, more than anything else, not to repeat himself, at the very least he would rearrange his manner of life, he would make sure of rooms like these, with flowers and light ... I have a wife and two daughters, my wife's health is delicate and so on and so on, and if I had to begin life all over again I would not marry. ... No, no!
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