A Quote by Elie Wiesel

No one has written the way Isaiah does. The royal style, the majesty of the language. He is called the prince of the prophets. No one has written like that. I've studied ancient literature, Homer, for example, but it's not the same thing.
I try to see their moral relevance [in the Bible] and, of course, to admire the literary beauty of the text. Prophetic poetry: No one has written the way Isaiah does.
His Majesty the King requires that the Royal Chancellery in all written documents endeavor to write in clear, plain Swedish.
Perhaps no more beautiful passages have ever been written about the Savior's atonement and crucifixion than those written by Isaiah.
In my town we studied the five Books of Moses, but rarely the prophets. We studied the Talmud so much that I sometimes knew the prophets because of the prophetic quotations in the Talmud. We almost never studied the prophets themselves.
Written by the ancient Chinese philosopher of the same name, the 'Zhuangzi' is one long perplexing puzzle of a rambling collection of enigmatic short stories. It's a strange feeling to laugh at a joke written by someone in the 4th century B.C.
The advantage of the gypsy language, even though I don't understand it that much, the language is perfect melody. So if you propose the movie the way I do, then the language is just one part of the melody. Orchestrating all inside, and the language is following the meaning of what they say, and it's never the same as written.
trying to read his face. It was like a book written in a foreign language she'd studied all too briefly.
Isaiah is by far the finest and least objectionable of the seventeen prophets whose supposed productions form the latter part of the Old Testament. A distinctly higher moral tone appears in the writings called by his name, and this is especially noticeable in the 'Second Isaiah,' who wrote after the Babylonish captivity.
I've always written a little bit. I mean, I've written screenplays, and I've doctored my dialogue for years, and I've written speeches - I was a speechwriter on 'The West Wing,' so I like that kind of thing. But I never really thought I'd write a book.
The mind is like a computer. It runs programs. Most of the software has been poorly written. It is written in the language of fear.
I never felt like a happy-go-lucky ingenue to begin with. And parts are written better when you're older. When you're young, you're written to be an ingenue, and you're written to be a quality. You're actually not written to be a person, you're written for your youth to inspire someone else, usually a man. So I find it just much more liberating.
Virtues are in the middle, the royal way about which the saintly elder (Saint Basil the Great) said, "Travel on the royal way and count the miles." As I said, the virtues are at the midpoint between excess and laxness. That is why it is written, "Do not turn to the right or the left" (Prov 4:27) but travel on the "royal way" (Num. 20:17). Saint Basil also says, "The person who does not allow his thoughts to incline towards excess or deprivation but directs it to the midpoint, that of virtue, is upright in heart."
I studied acting and there's certainly an element of performance. I think that the songs are in many ways written to be performed. I think about what it's going to be like to sing them on stage rather than what it's going to be like to have someone at home listening to them on a CD. I guess in that way there's a connection between my acting experience and the songwriting and the way the songs are written.
I was like, 'Prince, prince. Prince Ali. People know that from 'Aladdin.' I'm a big fan of Muhammad Ali. I can't be Muhammad Ali. I'm looking up royal - Mustafa. Mustafa's a royal name. Prince Mustafa, OK fine.' Prince Mustafa Ali came from that, and it's an easier name for people to remember, too: Prince Ali.
No literature is complete until the language it was written in is dead.
When I look back at what I've written and try to explain it, it doesn't help, but it helps to be in a process of writing. It's the same thing with reading - you lose yourself when you read as well. When I was younger I used literature that way, it was just escapism, a tool to run away from things.
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