A Quote by Eliel Saarinen

Always design a thing by considering it in its next larger context - a chair in a room, a room in a house, a house in an environment, an environment in a city plan.
Always design a thing by considering it in its next larger context.
God is still in the business of coming down to earth: to this cubicle, this email, this room, this house, this job, this hospital room, this car, this bed, this vacation. Any place can become Bethel, the house of God. Cleveland, maybe. Or the chair you're sitting in as you read these words.
My mind was always very cluttered, so I took great pains to simplify my environment, because if my environment were half as cluttered as my mind, I wouldn't be able to make it from room to room.
The design of a dress, furniture, a house, a room, a street and a city are all the same process.
All I really want is a three-room house. The home I have designed at my new farm in Bedford, New York, is a three-room house: bedroom on top, living room in the middle, and kitchen on the ground.
My mind was always very cluttered, so I took great pains to simplify my environment, because if my environment were half as cluttered as my mind, I wouldn't be able to make it from room to room. This system has just worked for me, even though I've had to sweat over every word. It's just my style.
I had but three chairs in my house; one for solitude, two for friendship; three for society. When visitors came in larger and unexpected numbers there was but the third chair for them all, but they generally economized the room by standing up.
In designing a house and gardens, it is happy when there is an opportunity of maintaining a subordination of parts; the house so luckily place as to exhibit a view of the whole design. I have sometimes thought that there was room for it to resemble a epic or dramatic poem.
I need to be very isolated to write, and unfortunately isolation is often quite difficult to find. My ideal writing environment would be a country house hotel in the middle of nowhere, with full room service.
The food in the House of Commons is fairly good. The cafe in Portcullis House is really very high quality, and you also have a choice of eating in the more traditional restaurants, the Churchill Room or the Members' Dining Room. I don't often eat in them, though, as I'm usually on the run.
Every corner in a house, every angle in a room, every inch of secluded space in which we like to hide, or withdraw into ourselves, is a symbol of solitude for the imagination; that is to say, it is the germ of a room, or of a house.
A dead dog is more quiet than a house on the steppes, a chair in a empty room.
There's a room in my house where my stereo, records, CDs, and books are housed. I spend a lot of time in that room, sitting in my chair beside the fireplace, reading and listening to music. Sometimes I just stand before the shelves and look at my books, because every single one of them means something to me.
I'm always conscious of the context, the history, the specific environment of anything that I design and what it is going to be operating within.
My father's motto has always been 'Room in the heart, room in the house.' As charming as this sounds, it translates into a long line for the bathroom and extra loads of laundry for my mother.
Toronto is a special city, and the environment is perfect for the arts; free and alive. I'm a New Yorker, and Toronto reminds me of a much cleaner New York, so it's like coming home after your mom just cleaned your room for you; for me that's a lovely environment.
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