A Quote by Eliezer Yudkowsky
I keep trying to explain to people that the archetype of intelligence is not Dustin Hoffman in 'The Rain Man;' it is a human being, period. It is squishy things that explode in a vacuum, leaving footprints on their moon.
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I'm sure when 'Midnight Cowboy' came out, it took a couple of minutes to get used to the voice and the look of Dustin Hoffman, or to even recognize that it was Dustin Hoffman.
I remember 'Rain Man' with Tom Cruise and Dustin Hoffman with all the Lamborghinis being lifted off the tanker. I was obsessed with this car. Absolutely obsessed with this car. It was my dream, and to finally drive one and own one was incredible.
I feel like I went from being a boy to being a man, in some respects, through the help of Dustin Hoffman.
Dustin Hoffman and Tom Cruise were both so generous to me on the Rain Man set. I remember Tom was in the trailer when I said to the makeup guy, "You know, I would really like to not wear any makeup. I just have this feeling that she wouldn't have any." And Tom said, "Yeah, that's cool!"
I enjoyed working with Dustin Hoffman. That was really fun. He decided that to really be effective as Woodward and Bernstein, considering their differences, we should spend some time together. Because Dustin and I were very different.
The traditional doctrine of man and not the measurement of skulls and footprints is the key for the understanding of that anthropos who, despite the rebellion of Promethean man against Heaven from the period of Renaissance and its aftermath, is still the inner man of every man, the reality which no human being can deny wherever and whenever he lives, the imprint of a theomorphic nature which no historical change and transformation can erase completely from the face of that creature called man.
I think Dustin Hoffman has been in at least three of my favorite movies of all time with things like 'Tootsie,' 'Marathon Man.' Getting a bit more arthouse and darker, 'The Graduate' - incredible, barrier-breaking movie, 'The Graduate.'
The honor you have given us goes not to us as a crew, but to ... all Americans, who believed, who persevered with us. What Apollo has begun we hope will spread out in many directions, not just in space, but underneath the seas, and in the cities to tell us unforgettably what we will and must do. There are footprints on the moon. Those footprints belong to each and every one of you, to all mankind. They are there because of the blood, sweat, and tears of millions of people. Those footprints are the symbol of true human spirit.
People compared Garden State to the Graduate, but when was the last time you saw Dustin Hoffman doing what I do?
Seen through the eyes of faith, religion's future is secure. As long as there are human beings, there will be religion for the sufficient reason that the self is a theomorphic creature - one whose morphe (form) is theos - God encased within it. Having been created in the imago Dei, the image God, all human beings have a God-shaped vacuum built into their hearts. Since nature abhors a vacuum, people keep trying to fill the one inside them.
I'm a huge fan of Dustin Hoffman.
Let’s suppose that rain washes out a picnic. Who is feeling negative? The rain? Or you? What’s causing the negative feeling? The rain or your reaction? When you bump your knee against a table, the table’s fine. It’s busy being what it was made to be – a table. The pain is in your knee, not in the table. The mystics keep trying to tell us that reality is all right. Reality is not problematic. Problems exist only in the human mind. We might add: in the stupid, sleeping human mind.
I was such a big Dustin Hoffman fan when I was young.
My heroes are Bill Murray and Dustin Hoffman. Those are the two actors that both do comedies and dramas, seamlessly. Also John C. Reilly and Philip Seymour Hoffman. They're all just great actors, neither comedic nor dramatic. They're just great actors.
As a musician, I don't have one thing that's "my thing." I like to create, and have a lot of outlets for it. Dustin Hoffman is one of the guys that sets a model for me, because of how good he is at being such different characters. Every time you see DeNiro, he's pretty much DeNiro - great, but DeNiro. Hoffman is different every time, depending on his character. That's how I see myself as a performer.
I had been nominated for an Academy Award for my performance as Sandy Lester, Dustin Hoffman's neurotic, struggling actress girlfriend, in 'Tootsie.' Under Sydney Pollack's direction, 'Tootsie' had been a runaway hit starring Dustin as an unemployed actor who pretends to be a woman in order to land a role in a soap opera.
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