A Quote by Elif Batuman

Nom de Plume uses the device of the pseudonym to unite the likes of Charlotte Bronte, Mark Twain, Fernando Pessoa, and Patricia Highsmith into a cohesive yet highly idiosyncratic literary history. Each page affords sparkling facts and valuable insights onto the manufacturing of books and reputations, the keeping and revealing of secrets, the vagaries of private life and public opinion, and the eternally mysterious, often tormented interface between life and literature.
A heartwarming tale of Christmas past that's chock full of all the wit and hilarity we admire in America's favorite humorist--Mark Twain. Carlo DeVito brings us back one hundred years to a magical time in Twain's family life, revealing a house that's brimming with love and laughter, as well as the profound heartbreaks of life. A Mark Twain Christmas only deepens our understanding and respect for both the man and his work.
My name is not Mara Dyer, but my lawyer told me I had to choose something. A pseudonym. A nom de plume, for all of us studying for the SATs. I know that having a fake name is strange, but trust me-it's the most normal thing about my life right now. Even telling you this much probably isn't smart. But without my big mouth, no one would know that a seventeen-year-old who likes Death Cab for Cutie was responsible for the murders. No one would know that somewhere out there is a B student with a body count. And it's important that you know, so you're not next.
I loved Charlotte Bronte when I was little, and I wanted to be Charlotte Bronte the way people want to be a princess.
I would say it was [ifluence] all the Greeks and the Russian classics like [Lev] Tolstoy, [Andrey] Goncharov,[Fedor] Dostoyevsky, [Alexander] Pushkin, and the international classics in Russian translation like Victor Hugo, George Sand, Charlotte Bronte, Sir Walter Scott, Mark Twain.
Private opinion creates public opinion. Public opinion overflows eventually into national behavior as things are arranged at present, can make or mar the world. That is why private opinion, and private behavior, and private conversation are so terrifyingly important.
Samuel Clemens isn't Mark Twain. Mark Twain is Mark Twain. He doesn't become the thing until he creates himself.
By the time I got to college I had stopped reading books because I wanted to "be cool" and started reading books simply because I wanted to read them. I discovered heroes like Roth, King, Dahl, Shirley Jackson, Patricia Highsmith, TC Boyle, Douglas Adams, Neil Gaiman, David Sedaris. These people weren't trying to "rebel against the literary establishment." They were trying to write great, high-quality books that were as entertaining and moving as possible.
There are no private lives. This a most important aspect of modern life. That one of the biggest transformations we have seen in human life in our society is the diminution of the sphere of the private. That we must reasonably now all regard the fact that there are no secrets and nothing is private. Everything is public.
Keeping a [journal] need not be a major chore-just a few minutes of notes each day can be valuable. Writing crystallizes insights, fools the defense of forgetfulness, and builds a collection of ideas and reflections that can spur further insights even years later.
A few times a year I'll remember that I love old literature, too. Charlotte Brontë's "Jane Eyre" is one of my 10 favorite books. I have to go out of my way to remember to pick up a book like that, but when I do I'm blown away by how very relevant it still is.
Writing fueled me, and my task was to make it fit into my life. I practiced my trade as an attorney, and on weekends and holidays, I typed away. I assumed a nom de plume, Selena Montgomery, to separate my fiction from more academic publications.
I think the novel is the American form because people read it in private, and the only valuable things that happen in America happen in private life, because public life is a dead loss.
Belly strippers! The use of this device is one of the most highly prized - and highly priced - secrets of fast-money winners.
I may remind you that history is not a branch of literature. The facts of history, like the facts of geology or astronomy, can supply material for literary art; for manifest reasons they lend themselves to artistic representation far more readily than those of the natural sciences; but to clothe the story of human society in a literary dress is no more the part of a historian as a historian, than it is the part of an astronomer as an astronomer to present in an artistic shape the story of the stars.
Everybody has a public life, and they have their own private life. Everybody has their secrets. Everybody has their own private, you know, agonies as well as joys. And that's what great drama, whether it's the movies or the theater, that's what it shows.
To answer oppression with appropriate resistance requires knowledge of two kinds: in the first place, self-knowledge by the victim, which means awareness that oppression exists, an awareness that the victim has fallen from a great height of glory or promise into the present depths; secondly, the victim must know who the enemy is. He must know his oppressor's real name, not an alias, a pseudonym, or a nom de plume!
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