A Quote by Elif Batuman

If you think about Don Quixote, Don Quixote is this guy who wants to live as if he was in a medieval chivalric romance, when actually he lives in sixteenth-century Spain, which is already going through secularization, industrialization, modernization. He goes out to kill a giant, and instead he collides with this huge windmill and injures himself and also damages the windmill. I think that's a metaphor for the collisions we all have over time, as our ideas of ourselves get out of synch with the historical moment.
The first modern novel was already a product, even an expression, of negative criticism: 'Don Quixote' contains a quite explicit critique of the chivalric romance and its insufficiency to account for the way real life feels when you get up in the morning in 17th-century Spain.
I, like Don Quixote, have fought many a windmill.
I knew that one day I would come to this point that I would make something so outrageous and so ambitious that... it'd be that Don Quixote feeling, that I'd have to tilt at a windmill. Sometimes you've got to do it. That's the only way you can do things.
I think what I and most other sociologists of religion wrote in the 1960s about secularization was a mistake. Our underlying argument was that secularization and modernity go hand in hand. With more modernization comes more secularization
I think what I and most other sociologists of religion wrote in the 1960s about secularization was a mistake. Our underlying argument was that secularization and modernity go hand in hand. With more modernization comes more secularization.
For me, life without literature is inconceivable. I think that Don Quixote in a physical sense never existed, but Don Quixote exists more than anybody who existed in 1605. Much more. There's nobody who can compete with Don Quixote or with Hamlet. So in the end we have the reality of the book as the reality of the world and the reality of history.
Windmill or no windmill, he said, life would go on as it had always gone on--that is, badly.
I wrote Murder at the Windmill. And it was accepted and we made it and it was the first film I made with Danny Angel, well the only film I actually made... I made a lot of it at the Windmill itself.
You can't control what goes on around you, you can't. But for me, I think there's staples of these moments, that crazy moment where you think you're indestructible. That moment where you find out that you're not. And then that moment where all of a sudden you go, okay, I'm not indestructible but I'm gonna be okay. You have this life, and we all have these lives we live but it takes a bit of learning before you realize not every drama's going to kill you and not every hard day has to lead to another one.
Don Quixote was a song for a 1969 Michael Douglas movie called Hail Hero! I wrote the title song for the film and they also used the Don Quixote one I had submitted.
Reading Don Quixote can be compared to an indefinite visit from your most impossible senior relative, with all his pranks, dirty habits, unstoppable reminiscences, and terrible cronies. When the experience is over, and the old boy checks out at last (on page 846 - the prose wedged tight, with no breaks for dialogue), you will shed tears all right; not tears of relief or regret but tears of pride. You made it, despite all that 'Don Quixote' could do.
If it had been easy for Romeo to get to Juliet, nobody would have cared. Same goes for Cyrano and Don Quixote and Gatsby and their respective paramours. What captures the imagination is watching men throw themselves at a brick wall over and over again, and wondering if this is the time that they won't be able to get back up.
I think a fictional invention grows according to its own development, not the author's. Characters in fiction are not simply as alive as you and me, they are more alive. Becky Sharp, Elizabeth Bennett, and Don Quixote may not outlive the burning out of the sun, but they will certainly outlive the brief candle of our lives.
I built the windmill 30 years ago in Tefen, and I think it was the right thing to build at that time, and I don't think that we did much with the solar or with windmills. Not much was done. I think we were too busy.
My final historical romance came out December 2005. While I enjoyed writing medieval romances, I was also dying to write something with more edge.
The Don Quixote of one generation may live to hear himself called the savior of society by the next.
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