A Quote by Elijah Wood

I suppose I've been working for a long time, so I've seen all kinds of filmmaking. I can fit into anything, and it doesn't feel that weird or that fascinating. — © Elijah Wood
I suppose I've been working for a long time, so I've seen all kinds of filmmaking. I can fit into anything, and it doesn't feel that weird or that fascinating.
I see myself as a perennial expatriate because, frankly, I don't think I fit comfortably in any conventional form of filmmaking, and I feel at the same time, depending on the project, I fit into many different ones.
People that were in my life for a long time turned sinister and tried to control me, and all kinds of weird stuff happened. But there was no conscience involved; that threw me more than anything.
A military audience is kind of weird. Pretty much how you would imagine a troop of males that haven't seen a female in a long time and have been stuck in a base camp in the middle of nowhere for too long without any alcohol.
Filmmaking is such a collaboration. At a certain point, I suppose you do have to let go and trust the people you're working with.
As for another profession ... I suppose I'd manage a global-macro hedge fund. I love that kind of stuff. Weird, I know, but I find it fascinating.
My father has been a major force in the popular culture for a long, long time. He's a fascinating person.
I'll be seen as eccentric, like Vic Reeves or Spike Milligan, which would be amazing. But I suppose I'm in this weird transitional period between having some success doing weird stuff and not being eccentric yet. I'm in limbo.
I was a vegetarian for a really long time, from 7 to 23, so I feel like some things aren't that weird but they seem weird to me, like blood sausage or snails. Those are things I've eaten now that, years ago, it would have been totally improbable that I would have eaten.
I looked pretty crazy but at the time, you don't think anything of it. You think, "I've got an amazing job. I'm working and this is cool." I remember I was being fit to go to a premiere for something at Burberry and Christopher Bailey, who designs the clothes there, saw a picture of me and I looked weird. I had short black hair, hardly any eyebrows, I looked very very thin and he went, "We need to put Douglas in a campaign." So four days later, I was shooting a Burberry campaign because he had seen me looking crazy from the show so that was kind of funny.
For me, filmmaking is not exactly a career. I was never in it for Hollywood or anything. My films are markers of where I am in life, where I am in my head. So that's what I'm working on, and I try to keep things in proportion - life and filmmaking. One feeds into the other.
[Stanley] Kubrick was a fascinating, larger than life guy who had been a friend for many years prior to our working together on that film. I found the best part of working with him to be the long conversations we had between set-ups.
I do think I feel it but you don't think you are cause at a certain time you are no age but you don't think you are anything. You feel the life you have lived. I feel that. It's been a long fifty years.
I'm going in a really weird I-don't-know-where direction, but I prefer anything [different] from how standardized filmmaking has become.
Acting gives me the opportunity to be fascinating on stage or, I suppose; properly speaking, pretend to be fascinating.
I took a great joy with inventing new kinds of mechanisms. I invented new kinds of machines. I've been a student of science fiction for a long, long time, and I'm very well-versed in science fact and science fiction.
If you're the creative, artsy one who goes off to study painting or filmmaking, you're often seen as an outsider partly because traditionally, it has never been seen as a way to have a career.
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