A Quote by Elijah Wood

I don't know that I necessarily feel more comfortable in the context of smaller films, but I tend to feel more comfortable more often than not with the material of smaller films.
Generally speaking I would say I enjoy the smaller films more because there's a less sense of pressure and often the material is more unusual.
I have spent more time in my life working and being in restaurants than being at home. I immediately feel comfortable entering a restaurant, and I feel even more comfortable in the back with the chef and cooks.
The more chances you get, the more comfortable you feel. I?m ready to go out there if something happens. I?ll feel comfortable if I am ever called on.
Generally speaking I would say I enjoy the smaller films more because there's a less sense of pressure and often the material is more unusual. But in "Iron Man" it was kind of like both worlds colliding because there was a lot of improvisation, not that we improv-ed in the scenes but to discover the actual scenes themselves.
I can work with shyness, but for the most part I want people to feel comfortable with me. It's really more about the photographer feeing comfortable right when they walk in that makes the subject feel comfortable.
In the U.S., it would be so much better if the studios made many more smaller films for niche markets rather than a few tent pole films that swamp cinemas and Hoover up all the funding.
Well, honestly, the films I personally like to go see are smaller, more character-driven pieces, so that's why the movies I've made have been smaller, more character-driven movies.
There is something demoralizing about watching two people get more and more crazy about each other, especially when you are the only extra person in the room. It's like watching Paris from an express caboose heading in the opposite direction--every second the city gets smaller and smaller, only you feel it's really you getting smaller and smaller and lonelier and lonelier, rushing away from all those lights and excitement at about a million miles an hour.
Working on films where the money's more important than the creativity, I just get a bit freaked out by that. I just don't feel comfortable.
If I had a little kid in kindergarten somewhere, would feel much more comfortable if I knew on that campus there was a police officer or somebody who was trained with a weapon. I would feel more comfortable.
I've lived my career backwards - I started off huge and I've got smaller and more personal, and I'm much more comfortable now.
This is not the kind of country where you would feel comfortable if you were opposed to democracy, parliamentary law, independent courts and so I would say to people who don't feel comfortable with those values there might be other countries where they'd feel more comfortable with their own values or beliefs.
I feel more comfortable with myself now. I don't know if I feel sexier. I feel more whole.
You can't expect to connect with everybody, and that's all right. The more I make films, I'm learning that you don't have to make films for everybody. A film can be made for a smaller group of people than that, and it still warrants an existence.
I feel like most horror films are made for teenagers about teenagers. I've done a couple of those horror films. There's nothing wrong with that but the older I get the more I starve for more adult material.
I feel more comfortable in men's clothing, and I'm a lot of more convincing as a boy than as a gendered female. But with women's clothing, I feel more empowered.
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