A Quote by Elijah Wood

[Sundance] still feels like an incredible place for championing emerging voices and art. — © Elijah Wood
[Sundance] still feels like an incredible place for championing emerging voices and art.
[Sundance] still feels significant. I don't think you can help but come here and not feel that sense of history and its significance in influencing film. And I think it still does. Some of that is based on history, but it's also based on really incredible programmers who are showcasing such an incredible variety of cinema.
It feels kind of good to be [on Sundance]. There is a sense of unification and community and voices rising together, and that all feels good.
It still feels like an honor to bring something [on Sundance].
For me, the Sundance Institute is just an extension of something I believed in, which is creating a mechanism for new voices to have a place to develop and be heard.
Women’s voices, LGBT voices, and the voices of people of color are all needed in any art form if we want to explore the true possibilities of that art form. Diversity is strength.
I still feel like the person who shouldn't be doing this and everyone is acting around me as if I'm a badass all the time. And this still feels like a stretch. I realize this is something that is incredible. I get to do this and I get wonderful teachers to help me and it's amazing.
I like Adele, Mika, Natacha Atlas and a beautiful old record, 'An Evening with Belafonte/Mouskouri,' starring Harry Belafonte and Nana Mouskouri. What they have in common is they all have incredible voices. I am very much into voices. I would say I'm a fan of voices, not of sound. I'm a fan of singers, not of bands.
Art is the means by which we communicate what it feels like to be alive - in the past, that was mixed up with other illustrative duties, but that was still its central function that has been liberated in the art called modern.
I'm still very bullish on emerging markets. There's an emerging middle class. They're a growing group of customers. And frankly, they want Walmart. They want everyday low price. And that's why we are continuing to grow in the emerging markets around the world, too.
I love supporting emerging voices, and new writers and directors. I love engaging an audience in a way that doesn't have to involve me, personally, and yet still generates an experience for groups of people.
It's not possible to present an accurate picture of our culture without all the voices of the people in the culture. So at the emerging level, you can't have a good survey art show without women and artists of color.
We need feminist voices today, you know. In my time, we had incredible feminist voices and I'm sure we have it today, too, but in all the massive outlets, maybe the one or two or three voices are somehow disappearing.
I'm about to go to Sundance for my 3rd year, and Sundance has never felt like a real independent festival at all. On the other hand, it might to start feel that way.
To hear that you're doing something that other people are enjoying, it's a fun game. It's like hitting a tennis ball over the net, and somebody hits it back. That's what it feels like with the fans. It feels like someone else is participating in my creation, and it's quite incredible.
The person who appreciates a great work of art has the feeling that the work grows in him as he becomes involved in a prolonged capturing of emerging marginal meanings. He feels that he, too, is creative, that he himself is adding to his experience and understanding. Moreover, he wants to confront the work of art many times. He is not easily tired of it, as he would be had he read a purely logical statement. He realizes that the work of art does not merely transmit information; it produces pleasure.
There's a lot of magic in voices. I love voices that are very old, very gravelly, very deep. I like metallic voices; I like velvety voices. The voices of children.
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