A Quote by Eliot Sumner

I was very young when I did 'I Blame Coco,' and I never really recognized that sound as me. — © Eliot Sumner
I was very young when I did 'I Blame Coco,' and I never really recognized that sound as me.
I never made a distinction, really, between music and sound. Let me explain what I mean by that. I grew up near to a train station, and the sound of the trains became a very important part of my world. It was a very musical sound to me.
What's the best baseball name of all time? Is it Champ Summers? Clyde Kluttz? Razor Shines? Scipio Spinks? Sibby Sisti? Creepy Crespi? Before you answer, consider that Coco Crisp is not even the game's top Coco, an honor retired by Coco Laboy.
My first nephew, he couldn't say Auntie Nicole, so he called me Coco. So ever since then, everyone's called me 'Coco.'
Some people come up to me in public and they're like, 'Oh my God, are you Noah from TikTok?' It's so weird to get recognized for that. I think it's the really young fans who have never even heard of 'Stranger Things.'
I got into dialogue because my parents began taking me to see plays from when I was very young. Too young, often, to understand the play I was watching: Who's Afraid Of Virginia Woolf when I was nine years old; That Championship Season when I was ten years old. But I loved the sound of dialogue; it sounded like music to me and I wanted to imitate that sound.
We never look deeply into the quality of a tree; we never really touch it, feel its solidity, its rough bark, and hear the sound that is part of the tree. Not the sound of wind through the leaves, not the breeze of a morning that flutters the leaves, but its own sound, the sound of the trunk and the silent sound of the roots.
What I do Coco would have hated. The label has an image and it's up to me to update it. I do what she never did. I had to find my mark. I had to go from what Chanel was to what it should be, could be, what it had been to something else.
Coming from a filmy background, I have seen everything growing up, but even at that point of time, it never really fascinated me. I did not like going to my dad's shoots. We were taught not to get carried away with it from a very young age.
I would suppose I learned how to write when I was very young indeed. When I read a child's book about the Trojan War and decided that the Greeks were really a bunch of frauds with their tricky horses and the terrible things they did, stealing one another's wives, and so on, so at that very early age, I re-wrote the ending of the Iliad so that the Trojans won. And boy, Achilles and Ajax got what they wanted, believe me. And thereafter, at frequent intervals, I would write something. It was really quite extraordinary. Never of very high merit, but the daringness of it was.
I'm too young to play lawyers. But I've been really lucky because I never got labeled. I never did the John Hughes thing. I did adult movies. I'm not bragging or anything, but I think that I've chosen really good roles. I've played different people and showed that I have a little bit of range.
When I was very, very young, I decided that I was gonna catalogue my times because that's what other people who I admired did. That's what Bob Dylan did, that's what Frank Sinatra did, Hank Williams did, in very different ways.
I've never had a very closely connected family. My parents split up when I was young and I was living with my mom for a little while, then I was kind of just on my own really young. It wasn't some kind of global tragedy, it was just never really a very close-knit family. So there was support in the sense that they didn't stand in my way.
You'd be surprised how young 25-year-old girls can sound when they want to scream. It isn't that young an audience, and it really frustrates me when I read the word "prepubescent" in my reviews. Even the ones that started following me with Wham! are in their late teens by now.
I think my parents - my parents were very hands-off, quite liberal in terms of their - they really - they did encourage me, but they never really pushed me into anything, really.
I was cast last minute for Casino Royale. They asked me to fly to Prague. I liked the script very much. I flew to Prague and did a bit of an audition. I was really focused and stressed out. And Daniel Craig was there. He was very, very blonde, like a Steve McQueen. He's moving a lot in real life. He's quite nervous. He was very lovely, very patient, and really connecting with me when we did the screen test.
We did not purify... We saw some particles but they did not have the morphology [shape] typical of retroviruses. They were very different... What we did not have, as I have always recognized it, is that it was truly the cause of AIDS.
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