A Quote by Elisabeth Moss

The great thing about Pete and Peggy's storyline is that you barely have to do anything. There's so much there, so much history, that you can have them exchange a look and it's so loaded. So you honestly don't have to do anything.
You want my dark side? Have I ever stolen anything? Not so much intentionally. But I don't think it's so much stealing as... being a part of the flow of the universe. You know, where there's an exchange. It's positive. It's negative. There's an exchange of goods and services.
I have too much respect for the characters I play to make them anything but as real as they can possibly be. I have a great deal of respect for all of them, otherwise I wouldn't do them. And I don't want to screw them by not portraying them honestly.
[With] this show [This Is Us], I don't think I was seeking something outside of the world I'd always played in so much as I'm ruled by characters. If it's a great character, I'm invested. It doesn't matter what the genre, what the storyline, anything.
The thing about black history is that the truth is so much more complex than anything you could make up.
Nothing is more debilitating than to care about something you can't do anything about. And you can't do anything about your adult children. You can want better for them, and maybe even begin to provide something for them, but in the long run, you cannot do anything about someone else's vibration other than hold them in the best light you can, mentally, and then project that to them. And sometimes, distance makes that much more possible than being up close to them.
Sometimes, if you have a lot of history with a character and a lot of affection, it's hard for you to do anything with that character. Like with Swamp Thing, for instance, I revere the Alan Moore run so much that it would be hard for me to do my own Swamp Thing. I care too much about the way it was done before.
Too much of anything is bad, but too much good whiskey is barely enough.
Honestly I'm excited about the possibilities of what comes next, and the funny thing is, that is sort of what "Star Wars" is kind of about. I mean, I remember being 10 years old and seeing that movie and leaving the theater and feeling like, oh, my God, anything is possible. And I feel like anything is possible right now. I don't know what's next, but I look forward to it.
The great thing about not having a script is there's nothing you have to shoot that day. When you start filming, you can shoot anything you want. There's no pressure to shoot anything. Whatever interests you that day is what you're shooting. That's a big liberation that makes it more enjoyable and more relaxed. I think if you have that kind of framework it can make it a much more satisfying thing to work on and to watch as well.
If we look honestly at our relationships, we can see so much about how we have created them
If we look honestly at our relationships, we can see so much about how we have created them.
Technology is technology and then art form and people's creativity is another thing. Anything that helps an artist do anything - great! Technology for technology sake doesn't mean much to me anyway.
Honestly, I have the quickest metabolism ever, I can eat as much as I want and barely gain any weight. So I just try to eat as much as I can every day.
I would never say anything about [James] LeBron because I know how much he means to the community; I know how much he does in the community, which is honestly 100 times more than your average athlete.
I'm pretty much an open book. I've pretty much talked about anything I'm going through onstage. Between interviews and curious fans, I've been asked everything. And I always give answers. I don't shy away from anything.
I know Leeds have had a few Scottish captains but I don't look too much to that because you can get lost in the history of the club. There's so much good history but it's all about the present and the future.
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