A Quote by Elisabeth Rohm
It's really nice to pass the ball when you're in an ensemble cast.
Related Quotes
I got so lucky on my 'Red Widow' cast. It was just the universe looking out for me that I got those actors. It's a big ensemble cast, a very international cast. I don't know how that happened.
At a youth soccer game you'll probably hear parents and coaches on the sidelines yelling, 'Pass the ball! Pass the ball!' ... When we continually tell our young players to pass the ball, we're not allowing them to develop their full potential, especially those who have the ability to take their opponents on and beat them one-on-one. As a result, we run the risk of diminishing a player's artistry and potential.
I've always considered myself an ensemble girl, meaning I was always cast in the ensemble.
It's almost impossible to get a movie all together when there are two main cast members, let alone an ensemble cast with everyone's schedules. It's crazy if it works out.
I get cast a lot of times in movies with nice people, for some reason, because I have a nice face or something. I mean, it's lucky I'm nice. Usually nice people in movies can be really boring.
I love 'Shameless' as a fan. But I love lots of television. And as an ensemble, I have never seen a group of people put on screen what 'Shameless' - the 'Shameless' cast as an ensemble and as individuals - in decades.
I never started out to be an action actor. I was an ensemble actor. "Rocky" was an ensemble film. "F.I.S.T." was an ensemble. "Paradise Alley" was an ensemble.
If we're sharing the ball and you pass the ball first, your teammate is going to pass it to you.
From its inception by Michael Bennett, 'Dreamgirls' has always been an epic story with an ensemble cast. I didn't change that. The screen version remains, really, a group story.
It's so rare to have an ensemble cast of women.
It really doesn't matter whether it's an ensemble cast or it's a lead or what is perceived as a commercial or non-commercial or an offbeat film. None of that would matter, what really matters is the story and who's telling the story.
The large ensemble cast and the fact that it was being shot in New York, combined with a lot of strong positive images as far as African Americans are concerned, really turned me on to The Best Man.
You see a lot of European influence coming in with bigger guys having a larger skill set, shoot the ball, handle the ball, pass the ball. I'm hoping that'll develop into something I can do.
I've said that "2012" was my favorite ensemble cast, because it was so evenly good.
When an ensemble is really tight or playing as one, it's a transcendental experience. It is spiritual. It goes beyond the ensemble. Ray and I and Robby and Jim were pretty tight, musically and spiritually.
I know that the nice shines I have on is going to pass. The nice cars will pass. All that will stay is the music and the work. That's where I get the inspiration to help people out and work.
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