A Quote by Elisabeth Shue
I became disconnected from the childlike play that art could be. I spent so much time fearing I wasn't good enough that I lost the sense that my artistic expression was worthy.
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I firmly believe in and support everyone's right to freedom of artistic expression. STEEL MAGNOLIAS is my artistic expression, and it is my right to say that its female characters be portrayed by women. The concept of a play set in a beauty parlor where men portray women is a terrific idea. If that is someone's artistic expression, I encourage them to write their own play as soon as possible.
Children need the freedom and time to play. Play is not a luxury; the time spent engaged in it is not time that could be better spent in more formal educational pursuits. Play is a necessity.
Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the artshave broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.
What separates people that create from the people that don't is just one's ability to take action despite the fear, you know? Or to suspend the fear, or more commonly, the voice of judgment within yourself that says, "This isn't good enough. You don't deserve to do this. You're not worthy. Your expression isn't meaningful. You have nothing to contribute, just get back to your 9-to-5 job." It's not so much that I don't have all those same voices, it's more just that for some reason as a kid I was shameless enough that could plow through them for long enough to get something on the table.
Once someone has spent enough time cultivating bad habits and biding their time, they are much diminished. Much of what they could have been has dissipated.
I've spent my life at public work, and I've spent many a day on a good cause that didn't have any lift, didn't have enough support, didn't have enough resources, and you could only get so far.
If art is singular expression, then by nature, the best art is controversial. But when art stirs debate for reasons besides its artistic integrity, that's when things get bent.
A lot of people who curate in the business, and curate the art, don't really have good artistic sense. They may know commerce, but they aren't savvy enough to know how to balance commerce and art, you know? They don't know how to satisfy both palates.
I think when I started acting it was the first time I got the freedom of expression. I was able to express certain emotions and feelings that I could put into other characters, so it was a good way for me to run away from ho I personally was. I could be a ninja, I could be a pirate or I could be in a play y'know.
For 'Hidalgo,' I just spent as much time around horses as I could, which made sense.
Bad art was as good as good art. Grammar and spelling were no longer important. To be clean was no better than to be filthy. Good manners were no better than bad. Family life was derided as an outdated bourgeois concept. Criminals deserved as much sympathy as their victims. Many homes and classrooms became disorderly - if there was neither right nor wrong there could be no basis for punishment or reward. Violence and soft pornography became accepted in the media. Thus was sown the wind, and we are now reaping the whirlwind.
In the documentary space, the biggest and most obvious difference is that in those films you're not in it for a financial gain. It's a piece of collaboration and artistic expression, that pushes change and self expression, in the sense that everyone has a story.
I've spent most of my life and most of my friendships holding my breath and hoping that when people get close enough they won't leave, and fearing that it's a matter of time before they figure me out and go.
[On women:] We are all yeses. We are worthy enough, we passed inspection, we survived the great fetal oocyte extinctions. In that sense, at least - call it a mechanospiritual sense - we are meant to be. We are good eggs, every one of us.
Art leads to a more profound concept of life, because art itself is a profound expression of feeling. The artist is born, and art is the expression of his overflowing soul. Because his soul is rich, he cares comparatively little about the superficial necessities of the material world; he sublimates the pressure of material affairs in an artistic experience.
I suppose there's a melancholy tone at the back of the American mind, a sense of something lost. And it's the lost world of Thomas Jefferson. It is the lost sense of innocence that we could live with a very minimal state, with a vast sense of space in which to work out freedom.
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