A Quote by Elisha Cuthbert

I tend to stay out of the public eye a little, compared to some of my peers. — © Elisha Cuthbert
I tend to stay out of the public eye a little, compared to some of my peers.
When I'm not working I try to stay out of the public eye as much as possible.
This is my philosophy: I prefer to stay out of the public eye. I love freedom.
We have plenty of pressures. We have the pressure to succeed to a certain level. You have peers that are doing so well, or some peers that are not doing so well and whether you like it or not you are constantly being compared to them. And of course you have the church pressures.
In general, when you have success on the field, you're more popular, and you have that fame that comes with it. You realize you're in the public eye more, and you've got to be a little bit more careful about some of the things you're doing out in public and make sure you're smart about the things you say.
I try to stay out of the public eye as much as possible because I want people to be able to watch my films and not be distracted.
The task of the right eye is to peer into the telescope, while the left eye peers into the microscope.
I'm not doing anything intentionally to stay in the public eye. I'm staying true to my art, like I always have. The press, for whatever reason, decided to zone in on what is very common banter for me. It got worked out through song - the same way I work everything out.
I've got a very behind-the-scenes personality. I don't know how I became a performer. I like to stay discreet, out of the public eye, very low-key.
When you're in the public eye, we all feel like we're constantly observed, so we don't let things out. Anger, sadness, happiness - when does that come out? Maybe when you're in traffic, because you're in the safety of your little metallic bubble.
Despite being bailed out - in some cases repeatedly - by the public purse, the automakers have shown little public spirit.
I think when you're in the public eye, you feel a pressure to stay younger looking.
I think everyone's a little afraid of being part of a trend, because you get compared to each other. Writers tend to have a lot of camaraderie, and when you're constantly compared to someone else, it kind of damages that camaraderie, but I think this is a great trend. I'm honored to be a part of it in many ways.
To me the biggest irony of this lifetime that I'm living is that for someone who thrives in the public eye in the creative ways that I do, I actually don't enjoy being in the public eye.
The scary thing is how quickly everyone's star fades. Therefore, to be a voice, you need to do television. You need to stay in the public eye for the public to care about you, to be a big enough voice to help where it is needed.
For Sabina, living in truth, lying neither to ourselves nor to others, was possible only away from the public: the moment someone keeps an eye on what we do, we involuntarily make allowances for that eye, and nothing we do is truthful. Having a public, keeping a public in mind, means living in lies.
I was considered by my peers to be a good comedian. So that's all I ever strived to do was get some recognition from my peers.
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