A Quote by Elissa Schappell

In Quiet Dell, Phillips mesmerizingly spins together fact and fiction, vividly imagining the circumstances leading to their deaths, and sets a young female reporter on the case to solve it.
In a brilliant fusion of fact and fiction, Jayne Anne Phillips has written the novel of the year. It's the story of a serial killer's crimes and capture, yes, but it's also a compulsively readable story of how one brave woman faces up to acts of terrible violence in order to create something good and strong in the aftermath. Quiet Dell will be compared to In Cold Blood, but Phillips offers something Capote could not: a heroine who lights up the dark places and gives us hope in our humanity.
We certainly do have to be realistic about where we stand. It is the case that cancer is the second-leading cause of deaths in the U.S., in fact, in nearly half the states it's the leading cause of death. And we have a ways to go.
Looking at suicide—the sheer numbers, the pain leading up to it, and the suffering left behind—is harrowing. For every moment of exuberance in the science, or in the success of governments, there is a matching and terrible reality of the deaths themselves: the young deaths, the violent deaths, the unnecessary deaths
Or is anyone's identity a matter of fragments held together by convenient or useful narrative, that in ordinary circumstances never reveals itself as a fiction? Or is it really a fiction?
I am because the Chinese have agreed - entered into this agreement in 1997. It sets out the circumstances in which the release of a prisoner who is the subject of a transfer may occur in exceptional circumstances. So the Chinese, having agreed to those principles, I'm sure have no objection to them being applied in this particular case.
We, as humans, have actually developed a sense of social responsibility. We have gone beyond our basic instincts. We can and we do. This is what sets us apart from the chimps. They are extremely brutal and hostile. Your next door neighbor is to be killed unless she is a juicy young female, who hasn't yet had her first baby, in which case you want her.
The annual award of $5,000 goes to an author for a meritorious book published in the previous year for children or young adults. Scott O'Dell established this award to encourage other writers--particularly new authors--to focus on historical fiction. He hoped in this way to increase the interest of young readers in the historical background that has helped to shape their country and their world.
Homicide, often involving guns, is a disease that is the leading cause of death for young black men, and the second-leading cause of death for all people aged fifteen to twenty-four. That makes it the leading health issue, particularly when guns are used in combination with drugs and alcohol. And the statistics show that is most often the case.
I think the type of actor I am, I tend to play strong leading female characters. The shows I've been on happen to be science fiction genre.
When we acquired Secureworks, if we had taken it and made all the salespeople into Dell salespeople, we would have totally destroyed Secureworks. Instead, it remained Secureworks but with capital from Dell and access to Dell's customers. And now, it's a great business.
Fiction is not a dream. Nor is it guesswork. It is imagining based on facts, and the facts must be accurate or the work of imagining will not stand up.
In journalism, a fact is just a fact. But in fiction, you have to build your case. It has to be made, step by step.
There's a million leading men on TV today that are perfectly great, and their jobs are fantastic. But it's not as interesting to me when every fight they win, every case they solve, every girl they get.
“Cherie, did the table do something I did not see or were you just attempting to teach it a lesson?” “I was imagining it was Evor.” “Strange, they do not greatly resemble each other.” “I have a good imagination.” “In that case, I do not suppose you are imagining I'm Brad Pitt?”
My generation of young female writers discovered that we could dictate the form and content of our own fiction.
The young-old polarization and the male-female polarization are perhaps the two leading stereotypes that imprison people.
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