A Quote by Eliza Bennett

Using my own hand as a base material, I considered it a canvas upon which I stitched into the top layer of skin using thread to create the appearance of an incredibly work worn hand. By using the technique of embroidery, which is traditionally employed to represent femininity and applying it to the expression of its opposite, I hope to challenge the pre-conceived notion that 'women's work' is light and easy. Aiming to represent the effects of hard work arising from employment in low paid 'ancillary' jobs, such as cleaning, caring and catering, all traditionally considered to be 'women's work'.
I think women dwell quite a bit on the duress under which they work, on how hard it is just to do it at all. We are traditionally rather proud of ourselves for having slipped creative work in there between the domestic chores and obligations. I'm not sure we deserve such big A-pluses for all that.
reaking up the space and using the space, using the length of the space, the height of it, whatever, the light, all of those things. It's something that you have to kind of slowly recognize in your work and develop over years of making work.
When you work with chains or any kind of weapons, or just when you're using hand-to-hand combat, you are going to get hurt.
When you work with chains or any kind of weapons, or just when you're using hand-to-hand combat, you are going to get hurt
There's a few historical reasons for why git was considered complicated. One of them is that it was complicated. The people who started using git very early on in order to work on the kernel really had to learn a very rough set of scripts to make everything work. All the effort had been on making the core technology work and very little on making it easy or obvious.
Family-supportive policies, which enable women to remain and progress in paid employment and encourage men to take their fair share of care work, are crucial to achieving gender equality at work.
The legacy of women's war work is our present post-industrial employment structure. It was the war that created the demand for a technologically advanced, de-skilled, low-paid, non-unionized female workforce and paved the way for making part-time work the norm for married women now. A generation later, it was the daughters of wartime women workers who completed their mothers' campaign for equal pay.
God is using people to accomplish His work, of saving souls, but we have to remember that it is not us doing the work. It's God using our vessel.
[My work] is using light as a material to influence or affect the medium of perception. I feel that I want to use light as this wonderful and magic elixir that we drink as Vitamin D through the skin - and I mean, we are literally light-eaters - to then affect the way that we see.
I do feel that I have to use my voice for those that don't have one. I have to do the best I can in my own work to represent my culture, represent the women of my country, of Latin America. What we stand for. What we're made of.
I found that the men and women who got to the top were those who did the jobs they had in hand, with everything they had of energy and enthusiasm and hard work.
We called our research 'Getting to Equal - How Digital is Helping to Close the Gender Gap at Work.' And at its heart we found that when men and women have the same level of digital fluency, women are better at using their digital skills to gain more education and find work.
But it's very technical and you really have to work and work and work to crack it. It's about using your whole face, jaw and tongue in a totally different way. It was very interesting - I love the English language, which made it easier.
The most common mistakes women make when applying makeup are not applying it in the proper light and not using their hands as blending tools.
Basically, you're still sitting there using just the muscles of your hand, really. Of one hand, actually. It's another example of the transfer of literacy to making music because the assumption is that everything important is happening in your head; the muscles are there simply to serve the head. But that isn't how traditional players work at all; musicians know that their muscles have a lot of stuff going on as well. They're using their whole body to make music, in fact.
Colors which stand the test of time are Valentino red, white and black. For the festive look, using these colors, you can work with embroidery and sequins to add some bling element to it.
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