A Quote by Eliza Dushku

I don't let guys do hickeys. That's like a dog marking his territory or something. — © Eliza Dushku
I don't let guys do hickeys. That's like a dog marking his territory or something.
I always fall for the guy that, like, has to blow me off because he needs to go do something with his dog. I love those kind of guys.
I think there was, like, a childhood moment where I had to pick shoes, either non-marking or marking shoes. The marking shoes were Spider-Man shoes. I'm like, 'Well, I want the Spider-Man shoes.' But I also didn't want to mark the court; I want to be able to play. I chose the generic, non-marking shoes.
But it was hard to keep his hands still. He could almost feel them twitching emphatically with his strong desire to reach out and stroke the dog's head. He had such a terrible yearning to love something again, and the dog was such a beautiful ugly dog.
All the members of the dog family - domestic dogs, wolves, coyotes, dingoes - are very aware of territory. A group must control its own territory - you can't have others taking it from you, because then you won't have enough food.
There's a lot of guys that made big money in wrestling because they just projected such a realistic character. And they weren't necessarily great athletes. Junkyard Dog played football, Junkyard Dog the wrestler, mechanically in the ring he was just not that good. His gift was, unbelievable work on the mic. He had charisma coming out of his ears.
I have a dog and sometimes I'll be the littlest kid with my dog and marvel at his ears and his nose and how he looks at me. If he died, I'd bawl like a baby.
If a dog is biting a black man, the black man should kill the dog, whether the dog is a police dog or a hound dog or any kind of dog. If a dog is fixed on a black man when that black man is doing nothing but trying to take advantage of what the government says is supposed to be his, then that black man should kill that dog or any two-legged dog who sets the dog on him.
If a man with a dog sits quietly enjoying music and smiling, his dog might sit down beside him and smile, too. But who knows whether the dog is having a comparable experience or whether the dog is simply happy that his master is happy.
I think overall, making a movie is like putting a stamp on the world. Every time I make a movie, I feed in elements to make sure that it's my movie. I'm marking poles like a dog does. This is how I show my movies to the world.
Using a dog as a narrator has limitations and it has advantages. The limitations are that a dog cannot speak. A dog has no thumbs. A dog can't communicate his thoughts except with gestures.
People keep a dog and are ruled by this dog, and even Schopenhauer was ruled in the end not by his head, but by his dog. This fact is more depressing than any other.
My main characters are the most sunny, happy, optimistic, loving creatures on the face of the Earth. I couldn't be happier that's where I start. I can put as many flawed people in the dog's world as I like, but the dog doesn't care. Dog doesn't judge. Dog doesn't dislike. Dog loves. That's not so bad.
We might miss the sign or we may be unable to read the expression, but it is almost a contradiction in terms to say that a dog feels something but does not show it. What a dog feels, a dog shows, and, conversely, what a dog shows, a dog actually does feel.
I pray the gods some respite from the weary task of this long year's watch that lying on the Atreidae's roof on bended arm, dog- like, I have kept, marking the conclave of all night's stars, those potentates blazing in the heavens that bring winter and summer to mortal men, the constellations, when they wane, when they rise.
Give your dog something to do before you share food, water, toys or affection. This way the dog earns his treat. For example, have him or her perform the "sit" or "down" command.
I tucked him in with his stuffed-animal pet dog—cleverly named Dog-Dog, by the way.
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