A Quote by Eliza Dushku
I have been doing this since I was 10 years old. It wasn't like I was an overnight hit. I think when that happens to some actors - they just don't know what to do with themselves. You don't know how to cope with friends and all of a sudden not being able to go out. It's such a shock to your system.
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I was an emotional manipulator of fighters . . . You have to know how to be cold, you know? Just have no -emotions, no feelings. It takes time, though, to develop that. I'd been working on that since I was 12 years old. It doesn't happen overnight.
The crazy thing is, the last club I ever learned to hit was my driver. My brother and I ended up being known for our distance, but we had no idea how far we could hit the ball because we hit it the same, and all of a sudden, we're going to tournaments, and we're driving the par-4s. At 10 years old, I was hitting it, like, 240.
With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.
I think a lot of times when people have "creative blocks" and I know my share of friends do as well if they're at just some stuck point. They're not sure what to do with their lives or their writing or their photography or their filmmaking or whatever it is that they're doing. I think the best advice is you have to change your life up completely; to go on a trip, to go spend a year being of service. Be willing to take some major drastic action to get you out of your comfort zone and go inside, not outside.
I'm a martial artist. That's what I've been doing since I was three years old, and fighting since i was 15 and that's all I know how to do. The money is just a bonus. It's a bonus for me. I think my real job is teaching martial arts, it's what I love to do.
Overnight success just doesn't happen. You've got to put your time in ... you're up and down, all of a sudden, it just clicks. And I think that's what's happened to me since I got to Montreal. And I'm proud of the things we've been able to accomplish ... we've all made each other great.
We don't have great answers to what jobs will look like in 10, 20, 30 years. And I think it's right for people to have some anxiety in a world where driverless cars are going to take over. Like, how are you going - it's gotten really, how are you going to have a job in 10 years, and how are your kids going to have a job in 10 years, if you haven't gone to college or had a lot of hand-ups in the system, basically.
"Somehow over the years people have gotten the impression that Wal-Mart was...just this great idea that turned into an overnight success. But...it was an outgrowth of everything we'd been doing since [1945]...And like most overnight successes, it was about twenty years in the making."
There's something great about being a really young actor because you don't have a chance to be nervous. You don't know anything yet. Whereas one of the big challenges as you go through - I've been doing acting professionally for 10 years now - is to not let all the things that you know hold you back and make you more nervous. Once you've had a few people tell you that they don't like your ideas, that voice in your head can creep in that says, "Don't tell them what you think."
Since age 14, I know what actors fear, what they like; I know how to get things out of them and I listen to them better, since I've been there.
The celebrity mill is so active these days that actors can make careers out of being themselves, and I don't know that I want to. I think I'm just figuring out how to make a career out of not being myself. It's hard.
When I'm doing stand-up, it's just me depending on me. I know how to go out there and make people laugh. I've been doing it since I was a teenager. I trust my instincts. I just go out and talk. A lot of the time I let the material come from the top of my head.
It had been a dream of mine to go to an Olympic Games since I was about seven years old. I didn't know I'd do it ski jumping, but that's how it turned out.
I've never had anything. I just wanted to one day live comfortable. Like, be able to go out to lunch with my friends without being like, crap, I don't know if I can afford this bill right now. I shouldn't be doing this. That's all I really wanted.
There was things just like not being able to date or - I'm talking like 15, 16 - like just certain things that my friends started to do. Like, they started to get phone calls from girls or like, you know, go and hang out 10, 11 at night, kind of going to the movies. There were just certain things that - it's not that I couldn't do all of those things. It's just that every choice was really deliberate and conscious and thought out and sort of balanced against the religion in a way where I felt - I wasn't necessarily trying to convert at 12 like [my mother] was.
My filmmaking background has really just been making movies with my friends since I was 12 years old. That's how I feel I learned how to tell a story visually, by just going out with a video camera and making movies with my friends and family.
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