A Quote by Eliza Dushku
We didn't have a TV in the living room and all my friends thought we were kind of weird. When they'd come over, my mom wanted to talk to them about current events.
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My mom decided that she wanted to put the mirror ball trophy on the coffee table in the center of our living room. When people walk in, it's kind of like, 'Uh.' It's a little weird. Maybe we should put it in the corner or something.
It's a weird situation, doing interviews. Nowhere else in the world can you talk about yourself and have people listen like they're interested over and over. Most people, if they talked about themselves for a half an hour, you'd go, "I'll give them a miss next time." So it's kind of weird.
TV family sitcoms have always been about fathers who know best and mothers who are so enchanted with everything they do. I wanted to be the first mom to be a mom on TV. I wanted to sent out a message about how us women really feel.
For 'Frost/Nixon,' I had eight people who were present at those interviews - they were all in the room - and when I interviewed each of them, they had a totally different narrative of events, to the degree where you thought, 'Were you all really in the same room?'
In general, I think there are some things that require time before you can talk about them. Some stuff that happened over the summer, for instance - the Philando Castile shooting, Alton Sterling, the police officers in Dallas - there was no room for jokes. But there are, of course, the policies that have given us those events. Now, there's a lot of room for jokes there. When you're looking at something difficult to talk about, there's always a sideways way in that feels a little less personal to people. That's where the joke lives.
Sometimes I lie in bed trying to decide which of my friends I truly care about, and I always come to the same conclusion: none of them. I thought these were just my starter friends and the real ones would come along later. But no. These are my real friends.
These events are swirling around them. In the white community, people felt like they had no control over their neighborhoods, their destiny. In the black community, centuries of government and economic forces were pushing on them. I went in with a kind of arrogance, maybe, that came from living in a very intellectual family, and I left knowing that there was a lot about the way people lived that I didn't know about.
I've always wanted to do more significant stuff. I think of myself as well-informed, but the hardest thing to do is talk about politics and current events and be funny and not just preachy.
Me writing the book and the subsequent interactions that we had were actually the cap on that experience. We were still in this weird purgatory about it when I published the book. When I gave them the galleys and what ensued after that, then I understood a lot more about our relationships and what the experience meant to them. I'd never wanted to know what they thought about it at all.
We didn't have a TV because we didn't have a whole lot of money. My parents would have their friends over - their friends who thought, 'How can you live without a TV?'
We didn't have a TV because we didn't have a whole lot of money. My parents would have their friends over - their friends who thought, 'How can you live without a TV?
My friends are always honest with me about films. But I really wanted to talk to regular people and kind of have a forum to interact with them; not just about films, but about everything.
When I was younger, I would set up Grammy parties at my house where I would invite all of my friends over, and my whole family would sit in the living room glued to the TV. But I would just dream of someday going there, and I would watch the red carpet interviews over and over and study what was happening.
When I came home, I was no longer the pariah who had dropped out of law school. I had been on TV. And everybody wanted to know, not only what being on TV was like, but what I thought about world events. Suddenly, there was some value to what I was saying. That's bizarre.
My way of telling stories is kind of what I do naturally. It's no different from how I would talk to you if you were in my living room.
I never thought I'd be making a living off of acting - it's still kind of a shock for my family and friends to see my face on TV every Wednesday night.
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