A Quote by Eliza Griswold

One of the things about landays is that they thrive in a modern context. Early on I went to this incredible Pashtun novelist, Mustafa Salik, who is a bestselling novelist in Afghanistan and works for the BBC in Pashto. With the question of the sanctity of the poems in mind, I asked him, "Aren't you worried? They've been posted on Facebook and such." And he said, "Just the opposite. This is a folk form; they survive and thrive as people share them."
Sigmund Freud was a novelist with a scientific background. He just didn't know he was a novelist. All those damn psychiatrists after him, they didn't know he was a novelist either.
I know that sometimes it happens that a novelist is embarrassed about their early works. For me, it's the opposite: I believe 'Durable Goods' is the best thing I've written.
Bill Clinton wanted to survive. And Bill Clinton wanted to thrive, not just for himself, although that's primarily what drives Bill Clinton. He's a classic narcissist. So of course he wanted to thrive and succeed. But he also wanted America to thrive and succeed, which is why he worked with a Republican Congress.
Many novelists say, "I'm not a political novelist" - myself included. That's a standard, even a default position. Whereas that divide between art and politics simply isn't possible in many countries. In Hungary, you couldn't be a fiction writer and then, when asked about politics, put your hands up in the air and say "But I'm not a political novelist." If you're a Chinese novelist, a novelist in a country where censorship is such an issue, how do you claim that politics has nothing to do with your writing? It's in your writing, it's shaping your words.
It's wonderful to move forward technologically, but we cannot forget that we are human beings who thrive on relationships, who thrive on interconnectivity, who thrive on sharing your feelings and emotions.
They can't yank a novelist like they can a pitcher. A novelist has to go the full nine, even if it kills him.
In America they have to know just what you are-- novelist, poet, playwright... Well, I've been all of them... I think poems and novels and stories spring from the same seed. It's not like, say, playing polo and knitting.
My political position springs from my being a novelist. In so far as I am concerned, politics and the novel are an indivisible case and I can categorically state that I became politically committed because I am a novelist, not the opposite.
We deserve an economy that works in every county, for every Georgian, and helps families thrive - not just survive.
Douglas Adams did not enjoy writing, and he enjoyed it less as time went on. He was a bestselling, acclaimed, and much-loved novelist who had not set out to be a novelist, and who took little joy in the process of crafting novels. He loved talking to audiences. He liked writing screenplays. He liked being at the cutting edge of technology and inventing
The bad novelist constructs his characters; he directs them and makes them speak. The true novelist listens to them and watches them act; he hears their voices even before he knows them.
If a good man thrive, all thrive with him.
I was once doing a question and answer period with the novelist Jane Smiley in a bookstore and someone asked us what our processes were and Jane said hers and then I said mine and Jane said, "Well, if I had a student like that I'd force him never to write like that again because you could never write a novel in the way that you write poetry."
I have to laugh because despite the destruction, we cannot let 'them' steal our pleasure. That is always the theme of my performances: I'm here to thrive, not just to survive.
You know, I wish the world well. I want Iraq to have democracy and the Haitians to have democracy. I want the people of Afghanistan to thrive. Lord knows, we spend enough money there to help them. What about people at home? Isn't that our first responsibility?
The question is not how to survive, but how to thrive with passion, compassion, humor and style.
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