A Quote by Eliza Griswold
If we were to see Western landay poems, we'd see them out of disenfranchised populations, maybe out of the legacy of slavery. Spirituals, rap music - that would be the space we'd find American landays in.
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The thing is, so much of the African American experience is about the redefinition of roots because of slavery. We were uprooted, and there's so much about our whole legacy that was stolen and that we lost in the Transatlantic slave trade that we'll never find out.
They thought we were just basically keeping ourselves underground on purpose. And it was just strange for people to approach music that way. And for rap, trying to get recognition, and be seen as a regular form of music like anything else. I mean, the Soul, R&B, Rock 'N Roll, they would dis the hell out of rap when it first came out.
I take it as a real compliment that people believe that I can in some ways mine the disenfranchised, the marginalized, the somewhat off-center - psychologically speaking - people in our society, and bring a real humanity to them, and make people see what would otherwise be a person that you would hate. Find a reason to love them and see the world from their point of view.
Watching old movies is like spending an evening with those people next door. They bore us, and we wouldn't go out of our way to see them; we drop in on them because they're so close. If it took some effort to see old movies, we might try to find out which were the good ones, and if people saw only the good ones maybe they would still respect old movies. As it is, people sit and watch movies that audiences walked out on thirty years ago. Like Lot's wife, we are tempted to take another look, attracted not by evil but by something that seems much more shameful -- our own innocence.
For me space rock is something that takes you out of yourself and out of your normal realm. And if space happens to be that inner space or outer space it's a very personal thing. I think that mantra is space music. I think that Native American tribal drumming is space music. Anything that allows you to go inward to go outward and to move within a space that is not normal to your reality.
When the next generation of content is developed, we have to think in a totally different way. Think about it more symbolically. The main story that you see on the TV screen is maybe like the living room of a house. But there are various other rooms in this house that you will otherwise never see. But if you use the Internet, you find out what's in the attic. And if you use the cell phone, you find out what's on the first floor. And on another medium, you find out what's in the cellar.
During the curfew, whoever went out, the people were watching you. Any Japanese home, there was some person figuring he's a good American citizen by doing his duty, and they were watching every move each family were doin'. Or if they went out, they followed them to see where they were goin'.
Think about it: we went into slavery pagans; we came out Christians. We went into slavery pieces of property; we came out American citizens. We went into slavery with chains clanking about our wrists; we came out with the American ballot in our hands.
One of the fun things as an actor is to find a character that if you were to look up a rap sheet about them, you might say, 'I don't really necessarily want to hang out with this guy' or 'I would never be this kind of guy in my life.' I think it's part of an actor's job to say, 'Maybe you could be.'
Two years ago I focused on one apartment to see how many variations you can come up with in a given space with the same parameters. I would work on this repeatedly for days and you see that there is maybe seven hundred options for one space. This exercise gives you an idea of the degree at which you can interpret the organization of space, it is not infinite but it's very large.
Slavery wasn't something that grew up in the American South. and black people were not the first to be slaves in America. Before them there were 'indentured laborers,' taken out of jails in England and Scotland and so forth and brought to the colonies to work out their terms in the fields and then be set free.
If it took some effort to see old movies, we might try to find out which were the good ones, and if people saw only the good ones maybe they would still respect old movies. As it is, people sit and watch movies that audiences walked out on thirty years ago.
I love music.. everything from R&B to Rap to Modern Country.. I still haven't figured out my own personal vibe.. it was sort of Nora Jones then sort of electronic.. then country.. it is very hard to make it in the music industry so we shall see if I ever find the time to finish it!
My vision of punk rock was these dudes who were spitting on the audience and moshing. That's why I kind of left that scene. Then I see all these people around my same age or between 17 and 25 that were making music themselves in their own town. They weren't just singing, but creating. I see them putting out this music where there are tons of women involved in the scene and involved in the bands.
If I were to critique myself - step out of KRS objectively and look at him - I would say that KRS has introduced the concept of being hip-hop, not just doing it. The concept of rap as something we do, while hip-hop is something we live. The concept of living a culture. Don't just look at hip-hop as rap music, see it as a culture.
With a comedian, it's the opposite. You put that album out, and they've heard it. If they're coming out to see you, you'd better be doing new stuff. There's always a tiny part of the audience that want to hear certain bits of yours, or they've brought friends to see you, and they've told them about some of your bits. Then maybe you should do them.
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