A Quote by Elizabeth Banks

No matter what, I'm in a very small club. There are very few women who have directed studio-level commercial films - very few. — © Elizabeth Banks
No matter what, I'm in a very small club. There are very few women who have directed studio-level commercial films - very few.
I had very supportive parents that made the way for me, even at a time when there were very few women - no women, really; maybe two or three women - and very few, fewer than that, African-American women heading in this direction, so there were very few people to look up to. You just had to have faith.
When I started, there very few women at the managing director level and very few who had families, which is something that was important to me. So it's not like when I looked up I could say, 'Well, that's who I want to be.'
When I started, there were very few women at the managing director level and very few who had families, which is something that was important to me. So it's not like, when I looked up, I could say, 'Well, that's who I want to be.'
There are very few parts, and very few scripts, that acknowledge women as sexual beings, or simply just recognise that women have desires.
I've done a few studio films in the last few years where I feel like I've done good work, and then I only end up in two scenes. That's been very disappointing.
It seemed to work on camera. And there's very few films - because you make a lot of films and you meet people and you work very intensely and intimately and then you're gone - but there's a few where you actually make friends, and this [The Fall] was one.
California is many things, and it is a harbinger of what this country will become if illegal immigration isn't stopped. You're gonna have a very rich, very powerful minority of elites - very, very tiny - and they're gonna live in a very few, small, gated enclaves.
No matter how many modern parts I do, people still refer to me as Mrs. Costume Drama. Fight Club is a studio pic, and I've done very few of those. I've got a feeling it's going to change things for me.
I am very interested in the enlightenment of women. Very few teachers of advanced self discovery work with women, and if they do it's usually in a very second handed way. They treat women as second class citizens.
I started at the very highest level so the upper end is something I know very well. I know it instinctively. But all the years I was designing, it frustrated me that I could reach so few women.
There are very few women in the Senate and very few mothers.
I am very happy here at Liverpool. It's a very good club at a very high level - a big club.
No matter how many films a filmmaker makes, there would be very few films that are truly great, where he has got everything right.
When I was making films [early in my career] there were very, very few female directors, and there were certainly no women on set, which made taking one's clothes off all the more difficult.
I didn't know I wanted to do films until I started to do them. Very few films are made in Mexico and film-making belonged to a very specific group, a clique.
You get very little from the studios anymore, it's all independent. And I think the studio, with the exception of something like The Social Network, a fine film, very interesting, but as for studio pictures, that's it, what else? There was more only a few years ago. So it changes, and I'm trying as much as I can.
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