A Quote by Elizabeth Banks
When I was coming up, it was the golden age. It was Julia Roberts and Meg Ryan, and Reese Witherspoon was starting. You really had, 'Who is America's Next Sweetheart?' every couple of years. And then this sort of bromance slacker thing took over.
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I want to do the romantic comedies. You know, the stuff that Meg Ryan and Julia Roberts or Reese Witherspoon would choose, of course.
People talk about this Julia Roberts almost like it's a cup of Pepsi. People think Julia Roberts is something they created. The fact is, 26 years ago, there was this scrunched-up little pink baby named Julia Roberts. I am a girl, like anybody else.
You know, women in Hollywood, we don't get action franchises and superheroes. The rom-coms that made Julia Roberts, Sandra Bullock, and Reese Witherspoon stars are out of favor right now- nobody is making them. In this business, if you are an ambitious person, you don't wait for people to hand you opportunities. You have to make a way for yourself.
Someone called my character the Meg Ryan of the Broken Hearts bunch. Now maybe the perception is that I'm a Meg Ryan type.
Wake up, America. The insurance companies took over health care. Wake up, America. The pharmaceutical companies took over drug pricing. Wake up, America. The speculators took over Wall Street. Wake up, America. They want to take your Social Security. Wake up, America. Multinational corporations took over our trade policies, factories are closing, good paying jobs lost. Wake up, America. We went into Iraq for oil.
It's funny, it never occurred to me that a movie star would play me. But now that she [Reese Witherspoon] is playing me, it's like, of course, it couldn't be anyone else! I don't know if you've seen pictures of Reese and me and Reese and my daughter Bobbi, who's named after my mother, and also plays me. There's a kind of resemblance.
I think the parts I was offered when I was younger, where I was asked to play that kind of slacker person, that was just because people would go, "Oh, she has dyed black hair." I guess that's how they thought I looked. I played a couple of those roles, and then unfortunately you get pigeonholed really fast, and then you just keep getting asked to do that. And now it would be weird at the age of 46 for me to play a slacker. It would look like I was nuts.
The only thing that I would say to anyone doing late night shows is - it took me a couple years then - but when you leave the studio, it's over. That's what you really have to do. After a long time, I would be like, "Maybe I shouldn't have said this," or "Maybe I shouldn't have shown this." But eventually, I got to, "Ah, f - k it." That's what it was that night, tomorrow's the next night.
I wasn't able to articulate it until after audience members gave feedback. And then, similarly, when we talked about the bromance being unique, I don't think Mark, Jay, and I really saw how special that aspect of that bromance was until our audience members sort of gave us feedback and let us know, "Hey, we've never seen a bromance like this before on television."
Legally Blonde was something that I just knew was going to make Reese Witherspoon the biggest star in the world. I knew - seeing Reese handle that with such intelligent ditziness - and she'd just had her baby and she looked fabulous and she's such a hard worker. I just knew. I remember doing press for that movie and Reese was already exhausted, but someone that would never say they were exhausted because she's that much of a professional.
When I first signed to RCA, I was sort of excited and shocked that it was happening. But over the next couple of years, it really started to feel like that game you play when you're a little kid - the one where you put your nose on a bat and then spin around and try to walk.
I think I have always sort of cultivated a flowery writing style. I've always sort of over - written in every genre that I've attempted. I went to college and took a couple of writing classes and I remember my teachers were always incredibly encouraging. But it was inevitable to get the criticism: "Take it down a notch!" But the nice thing about screenwriting is that you don't really have to.
I get the Reese's candy bar. You look at that, there's an apostrophe-s there. That means the candy bar is his. I didn't know that. Next time you're eating a Reese's candy bar, and a guy named Reese comes by and says, "Gimme that", you better hand it over.
Julia Roberts was really rather lovely. I had to interview her on Pebble Mill At One years ago. You learn not to be starstruck if you're trying to get a decent interview out of someone. If you fall apart it's counter productive.
Growing up, I always had my dreams set on being an actor, so I looked up to Julia Roberts, Audrey Hepburn.
I remember one time I went to a party and I had to interview Reese Witherspoon. She was just in this movie "Freeway," it's like 1996. To prepare for the interview I went to meet her at this release party, and I end up getting in this fist fight with a guy. I'm not much of a fighter but I get in this fight and the press was all there and they saw me, and all of a sudden the next day in the paper was 'Simon Rex and his posse get in scuffle, and Simon crashes a bottle over a guy's head after smoking crack in the bathroom.' I saved the article forever.
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