A Quote by Elizabeth Banks

'Pitch Perfect 2,' those scenes are super fun. It's just me and John Michael Higgins, and we've been friends for so long, we just have the best time. Anything I do with him is some of my favorite stuff.
I love improv. I do it with my co-star John Michael Higgins in both 'Pitch Perfect' films.
John Cassavetes was there at night while I was working. After they [with his friends] discussed as much live TV as they felt they needed to, they started improvising scenes just for the fun of it and one of those scenes everybody got very interested in and it turned into Shadows [1959]. That movie was entirely improvised.
For as long as I can remember, I've had John Michael Higgins in my brain in the funny department.
When I worked with Chevy Chase, Michael Ritchie would say, "Just ad lib and try to break me up. Just insult me. Anything." When we were doing his close-up, or when my back was to the camera, I would come up with jokes or quips or anything, to get a real reaction out of him. He was smart enough to know that was gold. So it was great fun working with him and Michael, and getting to see how the two worked together. I think Fletch and Clark Griswold were Chevy's two best roles. He's so incredibly talented and still vastly underused.
My English is perfect. I just like to say garbled nonsense to throw people off and keep them from bothering me. Cryptic is cool and it just adds to my mystique. I mean, Cancellara says some wacky stuff in English and nobody makes fun of him.
There is stuff going on inside me. But I have always been told to go out there and pitch like you can't tell if you just struck somebody out or just gave up a home run. If something bad happens, I don't dwell on it. Just give me the ball and let me pitch.
I called Nic Pizzolatto and he said, "No, no. You're in it the whole way through." That was fun to shoot [in The Lobster]. I had a few scenes in that show that were some of my favorite all-time scenes to be in.
I made tons of films. I did animation for my friends' films. I animated scenes just for the fun of it. Most of my stuff was bad, but I had fun, and I tried everything I knew to get better.
I've let go of being a super perfectionist on every single note and wanting the pitch to be absolutely perfect all of the time. I grew up watching the best of the best.
Biggie was to me the guy who was the best at painting the picture and making you visualize something, Pac was the best poet, and I feel like Jay Z is all of the above. Then Rick Ross is just, every line he spits is just perfect, and he's one of my favorite MCs of all time.
So much has been said about Michael Jordan as a basketball player, but when I played with him, the Michael I knew was just Michael. I guess more than anything is that I got to experience the human side of the so-called gladiators, warriors and heroes that we worship.
For me, my favorite scenes, when I'm in my comfort zone, are the fighting scenes Those are my favorite to do, so I'd love to have more of those.
I would definitely say Zombie has been the best time I've ever had. It is just so great and so fun because, you know, we all get along so well, and, you know, it's just like, everybody, we're just all friends here, and we're just having a really, really, really great time.
Of course the Neverlands vary a good deal. John's, for instance, had a lagoon with flamingos flying over it at which John was shooting, while Michael, who was very small, had a flamingo with lagoons flying over it. John lived in a boat turned upside down on the sands, Michael in a wigwam, Wendy in a house of leaves deftly sewn together. John had no friends, Michael had friends at night, Wendy had a pet wolf forsaken by its parents.
'Faucet Failure' was my favorite because I just had fun with it, and it was just 10 minutes, and I didn't overthink anything, and I wanted to just have fun with the song.
The Met Ball is great, but isn't the best thing to just have a super fun night out with your friends?
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