A Quote by Elizabeth Barrett Browning
God Himself is the best Poet, And the Real is His song.
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Man creates both his god and his devil in his own image. His god is himself at his best, and his devil himself at his worst.
There is no moral to my song,
I praise no right, I blame no wrong;
I tell of things that I have seen,
I show the man that I have been
As simply as a poet can
Who knows himself poet and man.
If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.
Man is a fallen star till he is right with heaven: he is out of order with himself and all around him till he occupies his true place in relation to God. When he serves God, he has reached that point where he doth serve himself best, and enjoys himself most. It is man's honour, it is man's joy, it is man's heaven, to live unto God.
When we think of God, we are apt to think of Him in human form. In the Epiphanies of the Old Testament God revealed Himself to Joshua and others in human form. He puts Himself within the compass of our highest conception, in order that He may make Himself real to us in His love and sympathy and power.
God will of necessity always be a hidden God. His loudest cry is silence. If he does not manifest himself to us, we will say that he hides himself. And if he manifests himself, we will accuse him of veiling himself. Ah! it is not easy for God to make himself known to us!
The genius of a composer is found in the notes of his music; but analyzing the notes will not reveal his genius. The poet's greatness is contained in his words; yet the study of his words will not disclose his inspiration. God reveals himself in creation; but scrutinize creation as minutely as you wish, you will not find God, any more than you will find the soul through careful examination of your body.
The poet makes himself a voyant through a long, immense reasoned deranging of all his senses. All the forms of love, of suffering, of madness; he tries to find himself, he exhausts in himself all the poisons, to keep only their quintessences.
God's poet is silence! His song is unspoken, And yet so profound, so loud, and so far, It fills you, it thrills you with measures unbroken, And as soft, and as fair, and as far as a star.
In the cross of Christ God is taking man dead-seriously so that he may open up for him the happy freedom of Easter. God takes upon himself the pain of negation and the God forsakenness of judgement to reconcile himself with his enemies and to give the godless fellowship with himself.
The reason a poet is a poet is to write poems, not to advertise himself as a poet.
There is no God separate from you, no God higher than you, the real "you." All the gods are little beings to you, all the ideas of God and Father in heaven are but your own reflection. God Himself is your image. “God created man after His own image." That is wrong. Man creates God after his own image. That is right. Throughout the universe we are creating gods after our own image. We create the god and fall down at his feet and worship him; and when this dream comes, we love it !
The poet's first rule must be never to bore his readers; and his best way of keeping this rule is never to bore himself-which, of course, means to write only when he has something urgent to say.
The poet is no tender slip of fairy stock, who requires peculiar institutions and edicts for his defense, but the toughest son ofearth and of Heaven, and by his greater strength and endurance his fainting companions will recognize the God in him. It is the worshipers of beauty, after all, who have done the real pioneer work of the world.
But the man who is not afraid to admit everything that he sees to be wrong with himself, and yet recognizes that he may be the object of God's love precisely because of his shortcomings, can begin to be sincere. His sincerity is based on confidence, not in his own illusions about himself, but in the endless, unfailing mercy of God.
So, then, the best of the historian is subject to the poet; for whatsoever action or faction, whatsoever counsel, policy, or war-stratagem the historian is bound to recite, that may the poet, if he list, with his imitation make his own, beautifying it both for further teaching and more delighting, as it pleaseth him; having all, from Dante’s Heaven to his Hell, under the authority of his pen.
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