A Quote by Elizabeth Barrett Browning

Let us be content to work To do the things we can, and not presume To fret because it's little. — © Elizabeth Barrett Browning
Let us be content to work To do the things we can, and not presume To fret because it's little.
It is the little bits of things that fret and worry us; we can dodge a elephant, but we can't dodge a fly.
People who have accomplished work worthwhile have had a very high sense of the way to do things. They have not been content with mediocrity. They have not confined themselves to the beaten tracks; they have never been satisfied to do things just as others so them, but always a little better. They always pushed things that came to their hands a little higher up, this little farther on, that counts in the quality of life's work. It is constant effort to be first-class in everything one attempts that conquers the heights of excellence.
The general misunderstanding of a work of art is often due to the fact that the key to its spiritual content and technical means is missed. Unless the observer is trained to a certain degree in the artistic idiom, he is apt to search for things which have little to do with the aesthetic content of a picture. He is likely to look for pure representational values when the emphasis is really upon music-like relationships.
I don't choose to be a common man. I want to be better tomorrow than today. And through a commitment to work and discipline, but mostly hard work. I'll be a little more content, and a little different from the average guy.
Three things too much, and three too little are pernicious to man; to speak much, and know little; to spend much, and have little; to presume much, and be worth little.
Little things console us because little things afflict us.
Whatever I am today is mostly because of my training at FTII. It taught me to be disciplined as an actor. People accuse us of being lazy and presume that we smoke up and laze about in the campus, which is not true at all. FTII courses are hard work.
Computers allow us to squeeze the most out of everything, whether it's Google looking up things, so I guess that tends to make us a little lazy about reading books and doing things the hard way to understand how those things work.
Holiness is the sum of a million little things — the avoidance of little evils and little foibles, the setting aside of little bits of worldliness and little acts of compromise, the putting to death of little inconsistencies and little indiscretions, the attention to little duties and little dealings, the hard work of little self-denials and little self-restraints, the cultivation of little benevolences and little forbearances.
A scientist strives to understand the work of Nature. But with our insufficient talents as scientists, we do not hit upon the truth all at once. We must content ourselves with tracking it down, enveloped in considerable darkness, which leads us to make new mistakes and errors. By diligent examination, we may at length little by little peel off the thickest layers, but we seldom get the core quite free, so that finally we have to be satisfied with a little incomplete knowledge.
Our task is not to find the maximum amount of content in a work of art, mush less to squeeze more content out of the work than is already there. Our task is to cut back on content so we can see the thing at all. The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience - more, rather than less, real to us.
Balance is everything. And I'm not just speaking from a road perspective - even from home. My wife and I work out of the house and we always struggle to find that balance because when work is around you 24/7, it's easy to neglect the little things in life that really help us to rejuvenate or heal.
People often presume I'm from whatever country they're from. So Americans presume I'm American and the British presume I'm British. And they're surprised to discover I actually am Australian. And actually some Australians are surprised too.
It is a conscious choice to go for content-driven scripts because that is the key for any film to work. There are no two ways about it, and I have always been attracted to great content.
Men who undertake considerable things, even in a regular way, ought to give us ground to presume ability.
Because of social media being such a marketable format, things are constantly being released, so people don't pay as much attention because they have a million things being thrown at them. You reach more people, but now there's more content. Before, it was harder to get the people but there was less content.
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