A Quote by Elizabeth Barrett Browning
Like to write? Of course, of course I do. I seem to live while I write - it is life, for me.
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I write songs on a course of time that's comfortable for me. I would probably never write a song from start to finish in the course of a day, hell probably not even a week. My mind is always going to change and my emotional state will also change on a daily basis.
Young men, especially in America, write to me and ask me to recommend “a course of reading.” Distrust a course of reading! People who really care for books read all of them. There is no other course.
Well, there are three different processes of making a film, of course. They're sort of re-written three times. You write it to start with, and then you shoot it and you re-write it while shooting and you sort of re-write it as you edit.
I write to please myself—of course, that is a given. But beyond this reach for pleasure, I know that I write for my countrymen, that they may be lifted from apathy and ignorance. I write because of a compulsion to make something out of the nothing that is my own life.
I feel as though I never had choice not to be a writer. I feel in my heart of hearts that writing chose me and this is what I must do. I have no choice but to write, and to write, and to write, because my very life depends on it. And to assume that, of course, everyone in the entire universe wants to read what I've written.
Write your own music and write frequently. Go to as many live shows as you can as well (of bands you enjoy of course). You can learn a lot watching other performers.
Of course there's pressure, and it's still there with every book. Each one is harder to write than the last, basically because you're always trying to write a better book. You won't always succeed, of course, but that has to be what you're shooting for.
When I write music, I know a lot of artists like Taylor Swift or Ed Sheeran tend to write from personal experience. I write from personal experience, of course, but I don't limit myself to that.
Some writers, of course, simply write, as they feel they are driven to do, by outer/inner inspirations. If, after the work is written and, hopefully, published, others respond -- that is the Champagne. But we, or some of us, don't write for the Champagne. We write because we write.
I would never write realistic prose. I don't like people who try to write in a poetic style, but in the course of their book abandon it for realism, and weave back and forth like drunkards between the surreal and the real.
There were a lot of little triggers that made me realize that life is now; life is happening while we're preoccupied with stupidities. Of course, growing. Of course, becoming a mother and understanding life from another perspective.
The mission of the playwright ... is to look in his heart and write, to write whatever concerns him at the moment; to write with passion and conviction. Of course the measure of the man will be the measure of the play.
The mission of the playwright is to look in his heart and write, to write whatever concerns him at the moment; to write with passion and conviction. Of course the measure of the man will be the measure of the play.
Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
My first book deal was actually for a textbook - 'Judo and You' - that I wrote while teaching at Temple University. A scout for Kendall-Hunt came looking for someone to write the book, and even though it wasn't a course I was teaching there, I agreed to write it.
I write because it is while I'm writing that I feel most connected to why we're here. I write because silence is a heavy weight to carry. I write to remember. I write to heal. I write to let the air in. I write as a practice of listening.
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