I know that sometimes it happens that a novelist is embarrassed about their early works. For me, it's the opposite: I believe 'Durable Goods' is the best thing I've written.
One of the things about landays is that they thrive in a modern context. Early on I went to this incredible Pashtun novelist, Mustafa Salik, who is a bestselling novelist in Afghanistan and works for the BBC in Pashto. With the question of the sanctity of the poems in mind, I asked him, "Aren't you worried? They've been posted on Facebook and such." And he said, "Just the opposite. This is a folk form; they survive and thrive as people share them."
I believe in the equal and opposite: If I exist, there is an equal and opposite version of me, and so however long I have to wait, and wherever he happens to be, we'll find it. Sometimes it's like, 'Jesus, where he at?'
The best way to make change is to know how something works. If you're going to go build something or change whatever it is, if you don't know how it works and you're trying to go make a change in it, the first thing you're doing is you're spending time figuring out how it works. The same thing happens in organizations.
I've written with people who aren't like me, then I've written with people who totally get it. It's like a blind date, and you never know what's going to happen. But it's really cool because they learn from you, and you learn a little bit from them. And sometimes it works out, and sometimes it doesn't.
A lot of weird things happen to me. People call out to me on the street and I figure I know them, and I walk over. And then they start to talk about a movie, and I get so embarrassed. Sometimes they think I'm Lorraine Bracco or Laura San Giacomo or Marisa Tomei. I'm sure it happens to them all the time, too.
Reverse psychology is an awesome tool, I don't know if you guys know about it, but basically you can make someone think the opposite of what you believe, and that tricks them into doing something stupid. Works like a charm.
I know that it's axiomatic in the film industry that you're not supposed to let the novelist develop their own story. Well, first of all, that's kind of up to the novelist - because they don't have to sell it. But also, I don't believe it. It's about trust.
I am not an academic who happens to have written a novel. I am a novelist who happens to be quite good academically.
With 'Durable Goods,' I meant only to write about being an army brat. What emerged was a story about compassion - the need for it, the expression of it.
I believe in a business boarding up early. If you make a mistake, you put the boards in the window of the store and say, "Hey, I made a mistake." Let me take two shots in the arm and a punch on the nose and let me get on to the next thing. I don't believe in worrying over failures. I worry about successes. This is opposite from most people. Most people zero in on their failures. I try to keep all my attention on a pyramid type philosophy rather than the averaging-down philosophy.
In my short career, I tend not to repeat myself. I have no interest in redoing something. Sometimes that makes people angry, and maybe it's not the best thing for me commercially. But it's the best thing for me artistically, and it's the best thing for my heart.
Sigmund Freud was a novelist with a scientific background. He just didn't know he was a novelist. All those damn psychiatrists after him, they didn't know he was a novelist either.
Over the years, I have really figured out what works for me. It's not about what anyone else is doing. I can't worry about whether I am doing everything that another player is doing, which can be hard sometimes. I have to trust my training and know my body and figure out what will get the best out of me.
Sometimes when Australians go overseas, it's as though the 'Aussie' is refined out of them. I don't know why. It's never happened to me, because I'm really proud of it. I'm not embarrassed about where I'm from or who I am any more. I know who I am. I don't fit in everywhere, but I know where I do fit in.
Sometimes when Australians go overseas, it's as though the "Aussie" is refined out of them. I don't know why. It's never happened to me, because I'm really proud of it. I'm not embarrassed about where I'm from or who I am any more. I know who I am. I don't fit in everywhere, but I know where I do fit in.
Too many people believe that one big, public success will solve their self-confidence problems forever. That only happens in the movies. In real life, the opposite strategy is what works. Call it the small victo-ries approach. In time you will discover that all failing really does teach you something you needed to know- so you can regroup and stretch again, with ever more...nerve.