A Quote by Elizabeth Berg
One of the great pleasures in writing 'The Dream Lover' was learning about some of the real people who populated George Sand's life. What a cast of characters! And what a pleasure to recreate them upon the page!
Related Quotes
The Dream Lover-what a bold, insightful, and enticing novel. And how vigorously Elizabeth Berg brings us the iconoclastic life of George Sand. Berg writes with such intimacy and compassion that I think she must have some shared ancestral DNA with Sand. I savored every page.
The Dream Lover is a historical novel at once expansively researched yet intimately imagined. George Sand may be the ultimate Berg heroine. 'A life not lived in truth,' Berg writes, 'is a life forfeited.' In this latest work, Elizabeth Berg has poured her own great gifts and her own great heart into the story of a woman determined to refuse any such forfeiture, no matter the cost.
All I can guess is that when I write, I forget that it's not real. I'm living the story, and I think people can read that sincerity about the characters. They are real to me while I'm writing them, and I think that makes them real to the readers as well.
Real-life people are often the hardest to play, people that you recreate who have actually lived, because you have to live up to people's knowledge of those characters.
Writing is really just a matter of writing a lot, writing consistently and having faith that you'll continue to get better and better. Sometimes, people think that if they don't display great talent and have some success right away, they won't succeed. But writing is about struggling through and learning and finding out what it is about writing itself that you really love.
Lenten practices of giving up pleasures are good reminders that the purpose of life is not pleasure. The purpose of life is to attain to perfect life, all truth and undying ecstatic love - which is the definition of God. In pursuing that goal we find happiness. Pleasure is not the purpose of anything; pleasure is a by-product resulting from doing something that is good. One of the best ways to get happiness and pleasure out of life is to ask ourselves, 'How can I please God?' and, 'Why am I not better?' It is the pleasure-seeker who is bored, for all pleasures diminish with repetition.
Writing is a solitary endeavor, but not a lonely one. When you write, your world is populated by the characters you invent, and you feel those people filling your life.
The cast, led by the extraordinary Jennifer Lawrence, is absolutely wonderful across the board. It's such a pleasure to see how they've embodied the characters and brought them to life.
My characters live inside my head for a long time before I actually start a book about them. Then, they become so real to me I talk about them at the dinner table as if they are real. Some people consider this weird. But my family understands.
And, my God, the actors. The cast, led by the extraordinary Jennifer Lawrence, is absolutely wonderful across the board. It’s such a pleasure to see how they’ve embodied the characters and brought them to life.
I've never written a fiction before about real people. . . . I read everything that I could find by people who met them and tried to get some impression of them, but as always when you write fiction, even if you have completely fictitious characters, you start by thinking of what is plausible, what would they say, what would they be likely to do, what would they be likely to think. At some point, if it is every going to come to life, the characters seem to take over and start speaking themselves, and it happened with [COPENHAGEN].
I'm writing about real things. Real people. Real characters. You have to believe what I write about is true or you wouldn't pay any attention at all.
The good thing about writing books is that you can dream while you are awake. If it’s a real dream, you cannot control it. When writing the book, you are awake; you can choose the time, the length, everything. I write for four or five hours in the morning and when the time comes, I stop. I can continue the next day. If it’s a real dream, you can’t do that.
When you're writing TV or movies your vernacular is time, it's all based on rhythms, a character takes a beat or two characters have a moment, like everything is about time. And when you're writing a comic, everything is about space. It's how many panels to put on a page, when should you do a full page splash, what is the detail that you see in any particular image.
I have met a great celebrity, Madame Dudevant, known as George Sand... Her appearance is not to my liking. Indeed there is something about her which positively repels me... What an unattractive person La Sand is... Is she really a woman? I'm inclined to doubt it.
When I'm writing a comic book, I'm thinking about a character that I'm going to be drawing on the page. I've never drawn a character to look like who I want to cast in a movie because I don't think that way. I'm a real monomaniac. I do one thing at a time.
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