A Quote by Elizabeth Bibesco

There is something very independent about French balloons - you feel you couldn't make a pet of one. — © Elizabeth Bibesco
There is something very independent about French balloons - you feel you couldn't make a pet of one.
All my life, I have loved balloons - all balloons - the heavy English sort, immense and round, that have to be pushed about, and the gay, light, gas-filled French ones that soar into the air the moment you let go of them.
There's something really admirable about French culture and an attraction in how independent it is from our own. So, it's odd that in other countries that are very American-influenced - who seem to care more about the Oscars than anyone here does - there's both anti-Americanism and also too much America.
I feel very close to French culture and to the French humanism, which occasionally one finds, even in the highest places. And therefore, all of my books have been written in French.
One suggestion is to regard your personality as a pet. It follows you around anyway, so give it a name and make friends with it. Keep it on a leash when you need to, and let it run free when you feel that is appropriate. Train it as well as you can, and then accept its idiosyncrasies, but always remember that your pet is not you. Your pet has its own life, and just happens to be in an intimate relationship with you, whoever you may be, hiding there behind your personality.
It's very important to say that French doesn't belong to France and to French people. Now you have very wonderful poets and writers in French who are not French or Algerian - who are from Senegal, from Haiti, from Canada, a lot of parts of the world.
I like being independent. I don't think that marriage means you're not independent, but right now I'm very comfortable, and I'm probably the happiest I've ever been. I feel solid. I feel safe.
I don't think there's anything that I would really baulk at doing on-screen. I don't think so. I've got certain pet peeves about writing... my pet peeve about reading scripts is when they give you a line reading and there'll be a line but next to your character's name it'll say 'very angry'. But I'm like: "Well, I'll decide that actually!" So, there's little things like that. That's a slight pet peeve.
I'm not a member of a political party, and I feel very, very comfortable being independent. Even if I weren't a journalist - if I were doing whatever - I would be an independent.
Movies in this country, its very complicated, and we could bang on about it forever, but the French movie industry is very different because its very obviously French.
I just love France, I love French people, I love the French language, I love French food. I love their mentality. I just feel like it's me. I'm very French.
In France, they make you feel that you cannot be two things at the same time. You can't be French and Arabic; you can't be French and Muslim.
Where Miles Davis can make you feel things.That's what I'm looking for from young guys. I'm looking for somebody who not just has a command of the instrument, but can actually say something to make you feel something, make you think about something.
Just because something is English does not necessarily mean it is good. We make the best cheddar; we make great pasties. But we can't make very good brie or baguettes - and the French can't make pork pies.
The French probably invented the very notion of discretion. It's not that they feel that what you don't know won't hurt you; they feel that what you don't know won't hurt them. To the French lying is simply talking.
The quality of mainstream cinema has changed. A lot of independent voices feel they can leave everything behind and make independent films.
That is the great thing about policing, you do have a lot of responsibility very early and you have got to make decisions, sometimes life and death decisions, very quickly and there is something about putting a uniform on and thinking 'people are looking to me to make decisions and to look after them' that makes you feel capable.
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