A Quote by Elizabeth Bowen
Dialogue should convey a sense of spontaneity but eliminate the repetitiveness of real talk.
Related Quotes
I try to eliminate as much dialogue as possible, and I guess Rambo is my really best experiment with how to eliminate dialogue.
There's a sense of spontaneity, and no emphasis on jokes in this show. People generally talk the way they talk in life if you were in this particular situation.
It's interesting because you feel on the one hand, we understand people from what the say, and in another sense, you'd think that you'd be able to convey more through dialogue.
There aren't any real dumb people in my voices. It's always irritated me about Hollywood dialogue - there's so much dialogue that would just bore a Ford mechanic. This is not how people talk.
The Electoral College is a project that calls on their judgment. If we don't like it, we can talk about how to eliminate it. I'm not quite convinced we should eliminate it completely. I think it's important to have a final check be somebody other than the Supreme Court. But given that it's there, we should take it seriously. And taking it seriously says they should exercise their judgment according to the moral values, the principles that are part of our constitutional tradition today. And those principles say equality.
Art should walk a tightrope. That's what art should be. Art should be dangerous. You can't be scared to say something with it. People love to talk about how comics are real art and real literature, so why not use these characters to talk about real things, even if it is dangerous?
With dialogue, people say a lot of things they don't mean. I like dialogue when it's used in a way when the body language says the complete opposite. But I love great dialogue... I think expositional dialogue is quite crass and not like real life.
Unless there is a strong sense of place there is no travel writing, but it need not come from topographical description; dialogue can also convey a sense of place. Even so, I insist, the traveler invents the place. Feeling compelled to comment on my travel books, people say to me, "I went there"---China, India, the Pacific, Albania-- "and it wasn't like that." I say, "Because I am not you.
Any time a writer thinks he has all the answers to how someone should talk or react or end a scene, it's a spontaneity-killer.
Interreligious dialogue is extremely important for religious people as well as secular people or non-believers. They should participate, and they should be encouraged to have interreligious dialogue, because dialogue is a channel or an instrument to promote intimacy between individual.
I'm an actor, and, beyond that, the thing I do most compulsively is writing. So I come at it very much from this sense of character. I get interested in people. And I feel confident in my capacity to absorb and manifest the characteristics of people. I have a real auditory hang-up for dialogue; re-creating the way people talk really is an addiction in my brain.
I believe the answers to most problems that confront us around the world can and should be approached by engaging both friend and foe in dialogue. No, I don't naively think that dialogue always works, but I believe we should avoid the rigidity of saying that dialogue never works.
I completely disagree with the idea of eliminating ICE. We should not eliminate ICE: it's like saying we should eliminate the police force.
Like in great painting and architecture, in couture, to make clothes you must eliminate, eliminate, eliminate to obtain the true sense of a line. You see, the more you add, the more you load on, the more it's mad. You must try to have just the silhouette, which is an intelligence in clothes.
Chuang Tzu and Heidegger both emphasise the virtue of 'spontaneity' - a sort of mindful responsiveness to things as they are. It's this notion, I suspect, that is the best bet for helping to make some sense of talk about harmony or unity with nature.
I don't need dialogue to convey emotion or thoughts to my audience.
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