A Quote by Elizabeth Crook

The defining aspects of westerns are still pretty much in place - namely landscape and conflict. In other books the conflict can be internal, but in westerns it usually plays out on a big stage.
I actually don't like westerns much. I like good westerns, but it isn't my preferred genre. There are all kinds of westerns: acid westerns, '70s westerns, Nicholas Ray's neurotic westerns. The ones I tend to like are nutso westerns.
I've always been a fan of Westerns, but my favorite kind of Westerns mostly were Sam Peckinpah's Westerns, and they mainly took place in the West that was changing.
I would very much like to make Westerns. I love Westerns. I've worked on many Westerns in my youth, in Spain and here, and I love working on them.
There is no other genre that deals with America better, in a subtextual way, than the Westerns being made in the different decades. The '50s Westerns very much put forth an Eisenhower idea of America, whereas the Westerns of the '70s were very cynical about America.
I watched westerns when I was a kid, like everybody else, but I wasn't a total nerd or geek about it. I kind of fell in love with westerns heavily when I started watching Sergio Leone's westerns.
You don't just have to see superhero movies. Ultimately, those movies are westerns - superheroes are good guys fighting bad guys in a landscape. In westerns, that divide couldn't be any more clear, but the only superpower you have is that you're a quicker shot than the other guy.
Westerns are cool, man. I'm big on Westerns. I just love the grittiness.
I decided to write Westerns because there was a terrific market for Westerns in the '50s. There were a lot of pulp magazines, like 'Dime Western' and '10 Story Western' that were still being published. The better ones paid two cents a word. And I thought, 'I like Westerns.'
I want to be able to make westerns like Akira Kurosawa makes westerns.
The thing that influenced me most in relation to 'Nanny McPhee' were the Westerns I watched with my father. All the Spaghetti Westerns; all the Virginians; all the High Chaparrals. Because if you think about the form, it's a stranger from out of town.
The Westerns have probably affected me more than any one thing, Western-related material. I love Westerns.
When you have a conflict, that means that there are truths that have to be addressed on each side of the conflict. And when you have a conflict, then it's an educational process to try to resolve the conflict. And to resolve that, you have to get people on both sides of the conflict involved so that they can dialogue.
There was that last blast of Westerns that came out in the Seventies, those Vietnam/Watergate Westerns where everything was about demystification. And I like that about those movies.
Your landscape in a western is one of the most important characters the film has. The best westerns are about man against his own landscape.
I think that internal conflict works very well, because, after all, all the best drama is fuelled by conflict.
When I came in, Westerns were the big thing, so I did horse falls, transfers, bulldogs, big fights. That's where you could really shine if you were really good at it. But then all the Westerns stopped, and I was capable of doing car stunts, motorcycle stunts and high falls. I could do it all.
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