A Quote by Elizabeth Debicki
I don't have a story about an epiphany in which I suddenly realised I wanted to be an actor. It was much more a case of the idea dawning on me gradually.
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I think failing the qualifying or the 11-plus actually hurt me more than I realised. After I'd become a professor of physics at the Open University, I suddenly thought, 'This is a bit silly.' So I suddenly became much more open about it. But I think probably I was hurt by the failure and didn't want to talk about it.
I come from Nova Scotia, and I'd never seen a theater or been inside of a theater. When I was 17, my dad asked me what I wanted to do, and I said I thought I would like to be an actor. I didn't have any idea what it was to be an actor. None. I'd wanted to be either an actor or a sculptor, which are both essentially the same thing. That's how it all started for me.
When I went to America, I spoke so much about who I was and gave so much away in a confessional, Irish, story-telling way that I suddenly realised I had given up a lot of myself. I had to shut up.
Perhaps if there is anything remotely interesting about my writing style, it is this: more often than not I have no idea what the story is going to be about. Sometimes I have a fuzzy vision, or a glimpse of one scene, or a character. But mostly all I have is a random first sentence, and I follow it to see where it might go. For me, writing is the process of discovery, of gradually figuring out what happens in the story and how it ends, that makes writing an interesting process for me.
Having thyroid cancer in 2009 really didn't change my life at all. I wish I could say that I had this epiphany. But I knew I was lucky before that, so it's not like I suddenly realised how lucky I am.
I was lucky to get into drama school and become a professional actor. No-one ever mentioned the colour of my skin. It's only when I came out of RADA - the Royal Academy of Dramatic Art - that I suddenly realised people started to refer to me as a black actor.
But I've always felt that the less you know about an actor's personal life, the more you can get involved in the story in which he's playing a character. And I don't like to see movies where you know about everything that happens behind the scenes. I can't engage in the story if I know what's going on in the actor's head.
My epiphany came in that police cell: I realised I was about to lose everything and it didn't bother me, not in the slightest. I'd come to hate cycling because I blamed it for the lie I was living.
My dad wanted me to be a scientist and I was set to study science A-levels. But after the first term I realised it would be much more enjoyable to study English and history, which didn't seem like work - so I switched.
I had an epiphany where I realised that there are song titles everywhere - in advertising, in conversations with people at the grocery store - and every time I open my mind to that and find titles, I then weave a story around that.
I never wanted to be an actor until about three years ago when I realised it was what I liked doing.
I am much more aware of making the plot more original, avoiding contrivance, having the story matter much more. I used to think more about symbols consciously. Now I think much more about the story.
Most of us grew up with a very damaging story that something is wrong with us. Gradually - or as in my case, suddenly - we become resolved not to believe this anymore. It takes a dedicated practice to follow up on that resolution, because the conditioning is very strong to keep generating self-demeaning stories.
The first time I thought I should be an actor was in school. I thought, 'At least this is something for which I won't have to study.' But I've realised that an actor needs to be constantly unsure about what he's doing and about what's going on around him. The moment you think you've nailed it, you're dead.
The most general deficiency in our sort of culture and education is gradually dawning on me: no one learns, no one strives towards, no one teaches--enduring loneliness.
So who is Jesus? For me, he's the central character in the greatest story ever told. It's a story about a gradually realizing kingdom that lies inside of us.
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