A Quote by Elizabeth Debicki

It often happens that you leave your house in the dark, shoot on a sound stage without natural lighting, and then go home in the dark. A whole week can go past, and it can feel like 12 hours.
To go in the dark with a light is to know the light. To know the dark, go dark. Go without sight, and find that the dark, too, blooms and sings, and is traveled by dark feet and dark wings.
When you're training you go to the gym when it's dark, you leave when it's dark. You push your body to the limit and it really gets on top of you.
Social media is something I approach organically. It's all me! Sometimes I'll post four things in a few hours, but then I could go dark for a week.
You go from having fun doing something to having it become your life without you realizing it. It can be weird and dark, but every single time I have a dark thought that makes me think dark about that, I tell myself, "Stop, you're stupid. This is great."
I feel like a lot of comedians do have that deep, dark thing. I have my stuff, but I don't go to that dark place.
I personally don't think of the music as being particularly dark, though many seem to disagree as I often have to answer that question. I try and make the Lustmord sound have a real mass and a tangible presence, which some choose to interpret as dark. It's an interesting distinction. Although there are dark elements interwoven within the whole, it's only one of many textures.
I feel like a lot of comedians do have that deep, dark thing. I have my stuff, but I don't go to that dark place. Things are just way too good.
There's always light after the dark. You have to go through that dark place to get to it, but it's there, waiting for you. It's like riding on a train through a dark tunnel. If you get so scared you jump off in the middle of the ride, then you're there, in the tunnel, stuck in the dark. You have to ride the train all the way to the end of the ride.
I don't go on the Internet. I never go on the Internet. I don't go on Twitter. I'm not on Facebook. I've seen friends go into dark, dark holes of sadness because of that. Frankly, I don't have the time or the attention span for it.
If you believe what you are on the red carpet, then you would have to go see a doctor, and there are so many actors like that. You have to know very well this is a moment of glamour, and when I go back home, I don't have the airbrush, and I have dark circles because I don't have the make-up on.
When you go down a dark alley and you feel that tingling across the back of your neck, that's not just a bad feeling, that's a biological gift from God - the Gift of Fear...when you ignore that gift - when you go down the dark alley and say, Y'know, I'm sure it'll be okay - that's when you find real pain.
O dark, dark, dark, amid the blaze of noon, Irrecoverably dark, total eclipse Without all hope of day!
You go to work, tape five shows in one day and then go home and play golf for the rest of the week and then start the week all over. I thought if something like that came along, I'd love to do that.
When you go through a tunnel - you're going on a train - you go through a tunnel, the tunnel is dark, but you're still going forward. Just remember that. But if you're not going to get up on stage for one night because you're discouraged or something, then the train is going to stop. Everytime you get up on stage, if it's a long tunnel, it's going to take a lot of times of going on stage before things get bright again. You keep going on stage, you go forward. EVERY night you go on stage.
Be like a train; go in the rain, go in the sun, go in the storm, go in the dark tunnels! Be like a train; concentrate on your road and go with no hesitation!
Somehow that doesn't feel like a natural human thing to do, to go to those dark places, you have to kind of force yourself to do that. And comedy, it's like you're excited to get there in the morning every day.
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