A Quote by Elizabeth Debicki

I feed off variety. I don't want to repeat myself if I can help it, but once they've seen you doing one thing, directors often just want you to do it again. — © Elizabeth Debicki
I feed off variety. I don't want to repeat myself if I can help it, but once they've seen you doing one thing, directors often just want you to do it again.
I was trying to find ways of not being pigeon-holed like that. I didn't want to be tied down by my accent. I wanted to play Americans. I don't want to ever be doing the same thing twice, and I just didn't want to repeat myself.
I don't want to repeat myself. I'm not going to play a guy like Allen in Happiness again any time soon because I did that and I don't want to tarnish or dilute that film by doing it again, maybe less well.
When I'm awake, I don't want to go to sleep. I don't want the hassle of turning the light off, putting my head down and then all the thoughts. I don't want al those thoughts... thoughts feed on thoughts feed on thoughts feed on thoughts feed on thoughts and I'm: 'I don't want this'. I have to knock myself out to go to sleep.
When I'm awake, I don't want to go to sleep. I don't want the hassle of turning the light off, putting my head down and then all the thoughts. I don't want all those thoughts... thoughts feed on thoughts feed on thoughts feed on thoughts feed on thoughts and I'm: 'I don't want this'. I have to knock myself out to go to sleep.
It's funny, I get a little quieter with time. I don't want to chase my tail and one day repeat myself and repeat myself and one day have kids going to college and not have memories that I should, because I was too busy doing my thing.
I could never really imagine myself doing one thing, and I'm pretty sure that I'll end up doing four or five different things. I want to be a Renaissance woman. I want to paint, and I want to write, and I want to act, and I want to just do everything.
I really do love doing stand-up, and I don't see why it should affect the acting. And I just want more interesting jobs. I just want to keep doing stuff that's different, rather than saying, "Okay, I've become known for this, and I'll just do this from now on." If I feel like I've done this one thing, I never want to do it again. I want to do something totally different.
I like working with directors much, because I want to be able to give myself completely to their vision. Otherwise I would only do what I could do, again and again. I want to be taken by someone in a different direction.
I want to be held and told my name. I want to be valued, in ways that I am not; I want to be more than valuable. I repeat my former name; remind myself of what I once could do, how others saw me. I want to steal something.
I feed off the crowd a lot. I love to see their faces, singing the words. I feed off their emotions. I want to give that back to them. I want God to speak through me to the crowd. I want to get them excited about their faith. I always want to give it my heart and soul.
I'm always looking for a chance to do something different. I don't necessarily want to repeat myself, at any time, and I don't want to just do the same guy, over and over and over again. I want to be able to do different things and to evolve and constantly try to find those roles.
I stopped performing because I don't have the temperament of a performer. You have to want to do the same thing over and over again. Once I got it right, I didn't want to do it again. I always use the analogy of a novelist who has to read his novel in public night after night. I just didn't want to do it.
In things to be seen at once, much variety makes confusion, another vice of beauty. In things that are not seen at once, and have no respect one to another, great variety is commendable, provided this variety transgress not the rules of optics and geometry.
You are [as an actor] aware that you don't want to repeat stuff, but you want to use what has worked. But you don't want to be accused of just going over the old thing, you know? You want it to start growing a little bit more.
Any filmmaker, big directors, and I'm not dropping any names - I actually have couple names I want to say, but I will not - we have a ratio. Each thing you repeat, my ratio is one to four.Actually some people are ratio one to 34. I know couple directors, big directors, they are just shooting over and over.
Often when I finish a film I'll have that feeling inside me: 'I never want to do this ever again. I don't want to pretend anymore. I want to be myself and do that.' And then, thank God, that feeling goes away after a month or so and I'm raring to go again.
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